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Chazam - Éclektrythms FLAC album

Chazam - Éclektrythms FLAC album

Tracklist

A1 Mayumi 2:25
A2 Happy 4:15
A3 Tsunagomu 4:25
A4 204 3:20
A5 Attention... / What ? 3:02
B1 I.A.E.O. 3:15
B2 El Trombonero 3:18
B3 Hardy 3:00
B4 J'Adore... 5.Flood 4:00
B5 Porn 3:00

Companies, etc.

  • Record Company – Basenotic Records

Credits

  • Bass, Double Bass – Harvey Jeg-O-Soul (tracks: A2, A5, B4, as credited on sleeve)
  • Drums – Great Slim Vincent (tracks: B1, as credited on sleeve)
  • Producer [additional], Vocals [played additional], Musician, Written-By [additional], Composed By [additional] – Gad* (tracks: A4, B2, as credited on labels), M. Gadou* (tracks: A4, B2, as credited on sleeve)
  • Producer, Vocals [played], Musician, Sampler, Written-By, Composed By – Chz* (tracks: A1 to B5, as credited on labels), Chazam* (tracks: A1 to B5, as credited on sleeve)

Notes

As on the release :

'This album is dedicated to the great master Jean-Jacques Perrey and the marvelous Monsieur Gadou. Long life of them.'

'Some tunes of this record were composed for the "Ouvre le chien" theater company : japanese numbers (A1, A3, B5) were composed for the "LolicomTM" project in 1996, "Hardy" (B3) is an extract of "What in the (W)orld" 1994.'

'All titles composed, instruments and voices played by Chazam (a.k.a David Chazam) (except "204" & "El Trombonero" (A4, B2) with M. Gadou (a.k.a Monsieur Gadou). Drums on "I A E O" (B1) by Great Slim Vincent. Bass and double-bass on "Happy", "What ?" and "Flood" (A2, A5, B4) by Harvey Jeg-O-Soul. Samples courtesy of Jean-Jacques Perrey on "Tsunagomu" and "Mayumi" (A3, A1).'

'Thanks to Ariel Wizman, Stéphanie, my neighbours, Hubert Souchaud, Rolf, Abdel El-Taharik, Renaud Cojo and the Lolicometes.'

Other notes from contributors :

'Please note, A+B sides labels present 12 tracks, whereas 10 only are stamped on the release. Backsleeve track listing is the correct one.'

'Recorded in 1997 on Digital 8 tracks - Lipid Studio'

Barcode and Other Identifiers

  • Barcode: 3 760009 430020

Other versions

Category Artist Title (Format) Label Category Country Year
BATC 002 David Chazam Éclektrythms ‎(LP, Promo, W/Lbl, Sti) Basetonic Records BATC 002 France 1998

Chazam - Éclektrythms FLAC album

Musician performer: Chazam

Title: Éclektrythms

Country: France

Date of release: 1998

Style: Leftfield, Electro, Drum n Bass

Genre: Electronic

Size FLAC: 1205 mb

Rating: 4.3 / 5

Votes: 803

Other Formats: MP4 AHX VOC MP1 VQF AA VOX

Chazam Leftfield Electro Drum n Bass 1998 France

Related to Chazam - Éclektrythms FLAC Albums

Blackbrand
I just discovered this release the other day, by way of completely random1$ box at the flea market. And was most pleasantly surprised at howenjoyable I found the music on it to be. It's one of those kind of releasesthat's difficult to categorize, genre / style wise because it's so multifaceted in it's scope, every track is good and I'd have to choose rhe"leftfield" style as being the most accurate style descriptor thatis available to us at this time in space. And because no two peopleseem to agree on what "leftfield" should typically sound like, So, that being the case, I'd have to cite this release as beingone of the better examples out there, of pure unadulteratedhigh quality LEFTFIELD, as in the style of electronic dance musiccurrently referred to mainly here on Discogs. (never heard anyoneuse the term beyond this website).So there you have it. Listen tothis highly enjoyable record at least once all the way through,and you'll never again have to scratch your head, and wonderwhat it's all about. Well, maybe not actually, but at least you'llfeel much more musically well informed. Which is somethingwe all strive for here on Discogs, Right?
Blackbrand
I just discovered this release the other day, by way of completely random1$ box at the flea market. And was most pleasantly surprised at howenjoyable I found the music on it to be. It's one of those kind of releasesthat's difficult to categorize, genre / style wise because it's so multifaceted in it's scope, every track is good and I'd have to choose rhe"leftfield" style as being the most accurate style descriptor thatis available to us at this time in space. And because no two peopleseem to agree on what "leftfield" should typically sound like, So, that being the case, I'd have to cite this release as beingone of the better examples out there, of pure unadulteratedhigh quality LEFTFIELD, as in the style of electronic dance musiccurrently referred to mainly here on Discogs. (never heard anyoneuse the term beyond this website).So there you have it. Listen tothis highly enjoyable record at least once all the way through,and you'll never again have to scratch your head, and wonderwhat it's all about. Well, maybe not actually, but at least you'llfeel much more musically well informed. Which is somethingwe all strive for here on Discogs, Right?