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Lee Gamble / CM von Hausswolff - Stream Of Unconscious Volume 8 FLAC album

Lee Gamble / CM von Hausswolff - Stream Of Unconscious Volume 8 FLAC album

Tracklist Hide Credits

Identity Technology
A –Lee Gamble Identity Technology
Edited By [Deconstructions], Computer, Effects [Voice Re-synthesis, Manipulations] – Lee Gamble
 16:09
N2 Collection
B1 –CM von Hausswolff* (10c/s) 8:47
B2 –CM von Hausswolff* (12c/s) 13:11

Companies, etc.

  • Recorded At – The Castle

Credits

  • Artwork By, Design – Alice Salyer*
  • Voice – Bryan Lewis Saunders

Notes

Side A made between August 2010 - May 2011.
Side B recorded at the Castle, Stockholm. Dedicated to the Association for Neuroaesthetics, Berlin.

Edition of 80 on transparent red cassette with a 8 page booklet of text.

The Stream of Unconscious is a single work composed of 24 albums on 12 cassette tapes. Each album forms a single chapter of the novel written by Bryan Lewis Saunders using the stream of unconscious method of writing, whereby he transcribes his unconscious dream descriptions and somniloquy. The vocals on each album are the source material for the writings and at times are manipulated by the artists/musicians involved.

Lee Gamble / CM von Hausswolff - Stream Of Unconscious Volume 8 FLAC album

Musician performer: Lee Gamble

Title: Stream Of Unconscious Volume 8

Date of release: 2012

Style: Noise, Poetry, Experimental, Spoken Word

Genre: Electronic

Size FLAC: 1458 mb

Rating: 4.3 / 5

Votes: 195

Other Formats: MP3 DMF MIDI MOD ASF DTS AHX

Lee Gamble Noise Poetry Experimental Spoken Word 2012

Related to Lee Gamble / CM von Hausswolff - Stream Of Unconscious Volume 8 FLAC Albums

Diredefender
Three tracks using the readings of Bryan Lewis Saunders as material/catalyst. I follow von Hausswolff's work rather closely, and after hearing this release, will begin to follow Lee Gamble's as well. Using 'Personal attributes and identifier deconstructions, computer audio, voice re-synthesis and manipulations', he builts an incredibly tense atmosphere of almost entomological character, before breaking it apart into something akin to a lullaby, and pushing it back to digital noise atop a gradually building bass pulse. Excellent work.CM von Hausswolff's side sounds like CM von Hausswolff, albeit unplugged. Whether the source of the sound is digital or analogue (reminiscent of Ryu Hankil's work with typewriters), between the dynamic acoustics of that and Saunders' voice, this time almost untouched, it sounds like a recording of a live performance. As tense as the start of Gamble's piece, though in an entirely different and unrelenting manner - notably the second piece (10c/s - or cycles per second), which makes for a pretty manic experienc, and can easily be used to scare off company who have overstayed their welcome.
Diredefender
Three tracks using the readings of Bryan Lewis Saunders as material/catalyst. I follow von Hausswolff's work rather closely, and after hearing this release, will begin to follow Lee Gamble's as well. Using 'Personal attributes and identifier deconstructions, computer audio, voice re-synthesis and manipulations', he builts an incredibly tense atmosphere of almost entomological character, before breaking it apart into something akin to a lullaby, and pushing it back to digital noise atop a gradually building bass pulse. Excellent work.CM von Hausswolff's side sounds like CM von Hausswolff, albeit unplugged. Whether the source of the sound is digital or analogue (reminiscent of Ryu Hankil's work with typewriters), between the dynamic acoustics of that and Saunders' voice, this time almost untouched, it sounds like a recording of a live performance. As tense as the start of Gamble's piece, though in an entirely different and unrelenting manner - notably the second piece (10c/s - or cycles per second), which makes for a pretty manic experienc, and can easily be used to scare off company who have overstayed their welcome.