» » G.T.O. - Pure
G.T.O. - Pure FLAC album

Tracklist

Pure (Pure Energy) 5:49
Pure (Journey Mix) 6:20
Pure (Beautiful Mix) 2:57

Versions

Category Artist Title (Format) Label Category Country Year
BANG 004 G.T.O.* Pure ‎(12") Go Bang! Records BANG 004 Netherlands 1990
BANGR 004 G.T.O.* Pure (Remix) ‎(12") Go Bang! Records BANGR 004 Netherlands 1990
COOLXR 218 G.T.O.* Pure (Remix) ‎(12") Cooltempo COOLXR 218 UK 1990
COOLX 218, 3235816 G.T.O.* Pure ‎(12") Cooltempo, Cooltempo COOLX 218, 3235816 UK 1990
656603 6 G.T.O.* Pure ‎(12") Go Bang! Records 656603 6 Europe 1990
BANG 004DJ GTO Pure ‎(12", Single, Promo, W/Lbl) Go Bang! Records BANG 004DJ Netherlands 1990
BANG 004 G.T.O.* Pure ‎(12", W/Lbl) Go Bang! Records BANG 004 Netherlands 1990
COOL 218, 3235817 G.T.O.* Pure ‎(7", Single) Cooltempo, Cooltempo COOL 218, 3235817 UK 1990
3235812, COOLCD 218 G.T.O.* Pure ‎(CD, Single) Cooltempo, Cooltempo 3235812, COOLCD 218 UK 1990
COOLMC 218, 3235814 G.T.O.* Pure ‎(Cass) Cooltempo, Go Bang! Records COOLMC 218, 3235814 UK 1990
GT 001 GTO Pure 2004 (Fulltimers Mixes) ‎(12", Unofficial) Not On Label GT 001 UK 2004
DFLOW006 GTO Pure ‎(3xFile, WAV) Dataflow DFLOW006 UK 2006
IOM 016 GTO Pure ‎(12") iO Music IOM 016 Germany 2007
IOM 016 GTO Pure ‎(CDr, Single, Promo) iO Music IOM 016 Germany 2007


G.T.O. - Pure FLAC album

Musician performer: G.T.O.

Title: Pure

Country: Netherlands

Date of release: 1990

Style: House, Techno, Ambient

Genre: Electronic

Size FLAC: 1933 mb

Rating: 4.2 / 5

Votes: 548

Other Formats: MMF DMF FLAC AA MP4 WAV AAC

Related to G.T.O. - Pure FLAC Albums

Uickabrod
I'd love to know where that flute sample comes from after all these 29 years!
Uickabrod
I'd love to know where that flute sample comes from after all these 29 years!
WOGY
one of the god tracks that set the scene for the future of club world long live the pure gold track a club history maker
WOGY
one of the god tracks that set the scene for the future of club world long live the pure gold track a club history maker
Yalone
Massive tune. Caned for many years beyond its 1990 release, and for obvious reason. The following comment from a previous reviewer captures the beauty of MIDI programming, the subtle but powerful effect that MIDI timing / hardware sequencing had on tracks from that vintage period, and why current producers are going back to hardware.,.. "BUT! there is something about that beat and hi-hat combination that I really don't like. It has obviously been programmed that way on purpose but it sounds likesomebody has squashed it with their foot before it has had the chance to beat properly and that hi-hat that sits on the end of that beat and has a similar fate. OK if you take strong hallucinogenics I suppose. Hey maybe thats what GTO were doing and decided it sounded okay. It certainly did to me back then...." Oh yeah!
Yalone
Massive tune. Caned for many years beyond its 1990 release, and for obvious reason. The following comment from a previous reviewer captures the beauty of MIDI programming, the subtle but powerful effect that MIDI timing / hardware sequencing had on tracks from that vintage period, and why current producers are going back to hardware.,.. "BUT! there is something about that beat and hi-hat combination that I really don't like. It has obviously been programmed that way on purpose but it sounds likesomebody has squashed it with their foot before it has had the chance to beat properly and that hi-hat that sits on the end of that beat and has a similar fate. OK if you take strong hallucinogenics I suppose. Hey maybe thats what GTO were doing and decided it sounded okay. It certainly did to me back then...." Oh yeah!
Kalrajas
In truth, the house/rave scene would have probably died of malnutrition unless Industrial music had lent it it's teeth...Greater Than One (GTO), Cabaret Voltaire, Psychic TV, Meat Beat Manifesto, Nitzer Ebb, Front 242 gave a grave master's voice to something that should be taken seriously. Vice in versa, the rave scene blew industry a reason to live. Industrial heads stepped from darkness into lights and lasers and likewise bladder boys shifted beer guts for basses n' bleeps...This track was a litmus test, alkali or acid, it all was positive. No more brooding, no more lurking...I love you, I want to eat your soul.
Kalrajas
In truth, the house/rave scene would have probably died of malnutrition unless Industrial music had lent it it's teeth...Greater Than One (GTO), Cabaret Voltaire, Psychic TV, Meat Beat Manifesto, Nitzer Ebb, Front 242 gave a grave master's voice to something that should be taken seriously. Vice in versa, the rave scene blew industry a reason to live. Industrial heads stepped from darkness into lights and lasers and likewise bladder boys shifted beer guts for basses n' bleeps...This track was a litmus test, alkali or acid, it all was positive. No more brooding, no more lurking...I love you, I want to eat your soul.
Dagdage
Work of genius
Dagdage
Work of genius
caif
not easy to discribe the pictures and emeotions which come into my mind, if i listen to this record now. i remeber listening to it teh first time at the efa distribution and uwe reineke played it to me and has been a musicaly revolution and elevation of electronic dance music in 1990. to me lee and michael stand out very much with their electronic music productions in general. this track was very big in berlin 1991 in the early techno days in berlin after the wall came down and new space became ours to fill with our sound systems and energy. thank you g.t.o.
caif
not easy to discribe the pictures and emeotions which come into my mind, if i listen to this record now. i remeber listening to it teh first time at the efa distribution and uwe reineke played it to me and has been a musicaly revolution and elevation of electronic dance music in 1990. to me lee and michael stand out very much with their electronic music productions in general. this track was very big in berlin 1991 in the early techno days in berlin after the wall came down and new space became ours to fill with our sound systems and energy. thank you g.t.o.
Agarus
I think this must come down to 'you had to be there' or so it seems. I remember thinking this will go down in techno history as a very important record. That is the kind of the thing i used to think back in the day. This really was pure darkn rave tribalness and has built in whistle sound too to prove it (there was usually one or two people with whistles at these parties). The track just epitomised the rave scene. The dark, smoky room. The lasers. The eyes popping out of the faces and the sweat rolling off each and every person there. You had to be there i suppose! Fond memories. I love these tracks that take me back in time. This is a very good example of what a great techno record was. BUT! there is something about that beat and hi-hat combination that I really don't like. It has obviously been programmed that way on purpose but it sounds likesomebody has squashed it with their foot before it has had the chance to beat properly and that hi-hat that sits on the end of that beat and has a similar fate. OK if you take strong hallucinogenics I suppose. Hey maybe thats what GTO were doing and decided it sounded okay. It certainly did to me back then. Check it out and see what I mean. Other than the beat, its a great slice of rave history!
Agarus
I think this must come down to 'you had to be there' or so it seems. I remember thinking this will go down in techno history as a very important record. That is the kind of the thing i used to think back in the day. This really was pure darkn rave tribalness and has built in whistle sound too to prove it (there was usually one or two people with whistles at these parties). The track just epitomised the rave scene. The dark, smoky room. The lasers. The eyes popping out of the faces and the sweat rolling off each and every person there. You had to be there i suppose! Fond memories. I love these tracks that take me back in time. This is a very good example of what a great techno record was. BUT! there is something about that beat and hi-hat combination that I really don't like. It has obviously been programmed that way on purpose but it sounds likesomebody has squashed it with their foot before it has had the chance to beat properly and that hi-hat that sits on the end of that beat and has a similar fate. OK if you take strong hallucinogenics I suppose. Hey maybe thats what GTO were doing and decided it sounded okay. It certainly did to me back then. Check it out and see what I mean. Other than the beat, its a great slice of rave history!