'Simphonie In X major's two twenty minute-ish tracks contain all that is good in the world of TNB and by extension the noise world at large. Listening back to it on headphones is an aural delight that takes in massive amounts of junk scrape, reversed tapes, buckets of nails, cutlery wars, medieval catapults being drawn taught all of it harnessed into a framework of surroundsound tumult. (IDWAL FISHER)

The New Blockaders are in a world of their own and always have been. No track listing just a symphony of pain. Ripped out of the grooves and positively bleeding out of the speakers Simphonie in X Major takes Stockhausen's baby and abuses it cruelly. Sound that has pain scratched into it's flesh with nails. (THE EMPTY QUARTER) 'Simphonie In X Major's two movements push the boundaries of 'Changez Les Blockeurs' to it's logical limit. It's 'Changez...' with its knackers twisted into an agonising position. (IDWAL FISHER) ’One of the most important recordings in the modern Noise canon, by one of the most consistently impressive acts in Noise. Junk noise at its finest.’ (NEWNESS BEGINS HERE) 'Simphonie In X Major' uses a sarcastic Dadaist title to conceal a work of sheer genius filth-noise concoctions. A full panoply of wild sounds: junkyard percussion, racing cars and industrial power tools, all providing a sense of unstoppable forward motion. This simphonie is a continual charge forward into the very maw of death. (THE SOUND PROJECTOR) These guys certainly make a hell of a racket!... Makes Whitehouse sound like minimal art! (AUDION)