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Leftfield - Alternative Light Source FLAC album

Tracklist Hide Credits

1 Bad Radio
Vocals, Written-By – Tunde Adebimpe*
5:22
2 Universal Everything
Vocals – Georgia Barnes
7:06
3 Bilocation
Vocals, Written-By – Channy Leaneagh
4:24
4 Head And Shoulders
Vocals, Written-By – Jason Williamson
5:24
5 Dark Matters 5:02
6 Little Fish
Vocals, Written-By – Channy Leaneagh
6:08
7 Storms End 5:00
8 Alternative Light Source 3:16
9 Shaker Obsession 5:22
10 Levitate For You
Vocals – OfeiWritten-By – Ofei Sakyi*
5:14

Companies, etc.

  • Phonographic Copyright (p) – Neil Barnes
  • Phonographic Copyright (p) – Leftfield
  • Copyright (c) – Neil Barnes
  • Copyright (c) – Leftfield
  • Licensed To – BMG Rights Management (UK) Limited
  • Recorded At – Activity On The Line
  • Recorded At – Eastcote Studios
  • Recorded At – Pan West
  • Mastered At – Alchemy Mastering
  • Published By – BMG Rights Management (UK) Limited
  • Published By – Copyright Control
  • Published By – Piccololadro
  • Published By – This Is Poliça
  • Published By – Kobalt Music
  • Published By – Wipe Out Music Ltd.
  • Manufactured By – www.keyproduction.co.uk
  • Pressed By – Sony DADC UK Ltd.

Credits

  • Artwork [Album Cover Image: School (Classroom), 1989] – Mark Wallinger
  • Design – Neil Barnes, Ryan Art
  • Mastered By – Matt Colton
  • Producer – Leftfield
  • Producer, Mixed By – Adam Wren
  • Written-By – Adam Wren (tracks: 1 to 9), Neil Barnes

Notes

Digipak with 4 panel foldout insert of credits and artwork. Copies pre-ordered from the Leftfield website or Recordstore.co.uk came signed by Neil Barnes.

Album cover image: School (Classroom), 1989 by Mark Walinger
Courtesy the artist and Collection CAM-Calouste Gulbenkian Foundation.

Publishers as follows:
Track 1: BMG Rights Management (UK) Ltd., Piccololadro (ASCAP), Copyright Control.
Track 2: BMG Rights Management (UK) Ltd., Copyright Control.
Track 3: BMG Rights Management (UK) Ltd., This Is Poliça (ASCAP) administered by Kobalt Music, Copyright Control.
Track 4: BMG Rights Management (UK) Ltd., Wipe Out Music Ltd., Copyright Control.
Track 5: BMG Rights Management (UK) Ltd., Copyright Control.
Track 6: BMG Rights Management (UK) Ltd., This Is Poliça (ASCAP) administered by Kobalt Music, Copyright Control.
Track 7: BMG Rights Management (UK) Ltd., Copyright Control.
Track 8: BMG Rights Management (UK) Ltd., Copyright Control.
Track 9: BMG Rights Management (UK) Ltd., Copyright Control.
Track 10: BMG Rights Management (UK) Ltd.

℗ & © 2015 Neil Barnes trading as Leftfield

Barcode and Other Identifiers

  • Barcode (Text): 5 050954 430625
  • Barcode (Scanned): 5050954430625
  • Label Code: LC 19813
  • Matrix / Runout: www.keyproduction.co.uk INFECT223CD 01
  • Mastering SID Code (Variant 1): IFPI LY33
  • Mastering SID Code (Variant 2): IFPI LY34
  • Mould SID Code (Variant 1): IFPI AEW51
  • Mould SID Code (Variant 2): IFPI AEW52
  • Rights Society: ASCAP

Other versions

Category Artist Title (Format) Label Category Country Year
LIB175CD Leftfield Alternative Light Source ‎(CD, Album) Infectious Music, Liberator Music LIB175CD Australia 2015
INFECT223D Leftfield Alternative Light Source ‎(10xFile, FLAC, Album, Hi-) Infectious Music INFECT223D Europe 2015
INFECT223CDP Leftfield Alternative Light Source ‎(CDr, Album, Num, Promo) Infectious Music INFECT223CDP UK 2015
none Leftfield Alternative Light Source ‎(CDr, Album, Promo) Infectious Music, Liberator Music none Australia 2015
INFECT223DLP Leftfield Alternative Light Source ‎(2xLP, Album) Infectious Music INFECT223DLP UK & Europe 2015


Leftfield - Alternative Light Source FLAC album

Musician performer: Leftfield

Title: Alternative Light Source

Country: Australia

Date of release: 2015

Style: Progressive House, Leftfield, Electro, Techno

Genre: Electronic

Size FLAC: 1299 mb

Rating: 4.5 / 5

Votes: 381

Other Formats: VOX XM RA ASF AIFF MP2 AC3

Related to Leftfield - Alternative Light Source FLAC Albums

INvait
so, nearly 3 years on, what do we think? Personally, i think only Bilocation and Levitate For You are worthy of the Leftfield name - these 2 tracks could exist happily on either of the previous albums.
INvait
so, nearly 3 years on, what do we think? Personally, i think only Bilocation and Levitate For You are worthy of the Leftfield name - these 2 tracks could exist happily on either of the previous albums.
Amis
There's enough pop shite being produced already. I just can't believe Leftfield would sink to that standard... I would have given a 0 star review if I could.
Amis
There's enough pop shite being produced already. I just can't believe Leftfield would sink to that standard... I would have given a 0 star review if I could.
Browelali
Given Leftfields sixteen year hiatus and Paul Daleys departure from the project, this album is a different take on the Leftfield sound. "Alternative Light Source" iilluminates the project from a completely new angle. It's a mighty and fabulous album with a slight pop patina, great production and apparent knowledge of its roots. Not a stone-cold future classic, but a solid and self-conscious comeback all the way.Why petrify the good old times in memory amber? Open your ears and listen to Leftfield tearing EDM a new one.
Browelali
Given Leftfields sixteen year hiatus and Paul Daleys departure from the project, this album is a different take on the Leftfield sound. "Alternative Light Source" iilluminates the project from a completely new angle. It's a mighty and fabulous album with a slight pop patina, great production and apparent knowledge of its roots. Not a stone-cold future classic, but a solid and self-conscious comeback all the way.Why petrify the good old times in memory amber? Open your ears and listen to Leftfield tearing EDM a new one.
Gardagar
A strange one to comment /review on really.. This album has it all,great potential and a few stand out tracks.. BUT just when you think there's something deep and interesting ..there's just that bit of cheese and commercialism which let's it down..obviously "leftisim" set the mark..but it's been a gradual downhill slide from there
Gardagar
A strange one to comment /review on really.. This album has it all,great potential and a few stand out tracks.. BUT just when you think there's something deep and interesting ..there's just that bit of cheese and commercialism which let's it down..obviously "leftisim" set the mark..but it's been a gradual downhill slide from there
Gavirim
We should be thankful after all! I mean, 16 years ago, we were almost sure that "Rhythm and Stealth" would be the very last we'd hear of this amazing (then-)duo for all times to come. And now...lo' and behold...a new album! Albeit without Daley, the Leftfield flame has been rekindled again, and that is good!
Gavirim
We should be thankful after all! I mean, 16 years ago, we were almost sure that "Rhythm and Stealth" would be the very last we'd hear of this amazing (then-)duo for all times to come. And now...lo' and behold...a new album! Albeit without Daley, the Leftfield flame has been rekindled again, and that is good!
Lanionge
Dang, what incredible negativity in the reviews here. Ouch. It's true, Daley's presence is missed. It's not the same. Not at all. But why would we expect it to be? And who really wants Leftism 2015? Or Rhythm & Stealth -- Leftfield's best album -- which it shares more in common with, but can't be repeated? We live in a different world now. Daley and Barnes were headed in this more austere direction for some time. Yet it's not an obvious comeback for those who yearn for the heady optimism of the '90s. This sounds like Barnes a bit unhinged, a man who has absorbed the aftereffects of 9/11, and global economic meltdown, European government cutbacks, you name it. At times he dives right into the dissonance. Personally, I too would have preferred more of the ragga and dub we got with the first two albums. But it's not a bad thing that Barnes has moved into very dark, minimal, moody territory on Alternative Light Source. It is more repetitive than I would have thought, or wanted, as a result. Some of the vocals seem like odd choices, at first contact. But as always, play it loud and it is MENTAL. Sometimes artists need to go into the belly of the beast to come out the other side. Like The Black Dog (Ken Downie), who was also written off after Plaid left -- left to die by many -- he returned with some less rousing albums at first. But after finding a groove, subsequent albums have revealed a renaissance. I believe in giving great artists a chance to bounce back on their own terms. ALS would be considered a solid album by most artists. It grows with more listens after the shock of the new. I hope Barnes keeps at it despite the cold. Remember, Barnes did the original "Not Forgotten" without Daley, and it's still the best thing ever recorded under the Leftfield name. So let's give him a chance to bring back the eternal light, once he's purged more of the poison of our time.
Lanionge
Dang, what incredible negativity in the reviews here. Ouch. It's true, Daley's presence is missed. It's not the same. Not at all. But why would we expect it to be? And who really wants Leftism 2015? Or Rhythm & Stealth -- Leftfield's best album -- which it shares more in common with, but can't be repeated? We live in a different world now. Daley and Barnes were headed in this more austere direction for some time. Yet it's not an obvious comeback for those who yearn for the heady optimism of the '90s. This sounds like Barnes a bit unhinged, a man who has absorbed the aftereffects of 9/11, and global economic meltdown, European government cutbacks, you name it. At times he dives right into the dissonance. Personally, I too would have preferred more of the ragga and dub we got with the first two albums. But it's not a bad thing that Barnes has moved into very dark, minimal, moody territory on Alternative Light Source. It is more repetitive than I would have thought, or wanted, as a result. Some of the vocals seem like odd choices, at first contact. But as always, play it loud and it is MENTAL. Sometimes artists need to go into the belly of the beast to come out the other side. Like The Black Dog (Ken Downie), who was also written off after Plaid left -- left to die by many -- he returned with some less rousing albums at first. But after finding a groove, subsequent albums have revealed a renaissance. I believe in giving great artists a chance to bounce back on their own terms. ALS would be considered a solid album by most artists. It grows with more listens after the shock of the new. I hope Barnes keeps at it despite the cold. Remember, Barnes did the original "Not Forgotten" without Daley, and it's still the best thing ever recorded under the Leftfield name. So let's give him a chance to bring back the eternal light, once he's purged more of the poison of our time.
Ghile
Well, that's what you get without Daley.
Ghile
Well, that's what you get without Daley.
White gold
Can't fault the production but overall feeling is it could have been better, saying that though, after the 16 year wait we should be thankful that we actually have a 'new' Leftfield release :)
White gold
Can't fault the production but overall feeling is it could have been better, saying that though, after the 16 year wait we should be thankful that we actually have a 'new' Leftfield release :)
Shakagul
Album seriously missing Daley's input.. not even close to the first two...soup is the word that comes to mind
Shakagul
Album seriously missing Daley's input.. not even close to the first two...soup is the word that comes to mind
Unh
Impossible to top the first two albums, but coming back to it 16 years later and it still is a great album. Universal Everything, Alternative Light Source and Shaker Obsession are standout tracks.
Unh
Impossible to top the first two albums, but coming back to it 16 years later and it still is a great album. Universal Everything, Alternative Light Source and Shaker Obsession are standout tracks.