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Six And More - Do Not Open! FLAC album

Six And More - Do Not Open! FLAC album

Tracklist Hide Credits

1 Yellow F 3:33
2 Vatnajökull 2:41
3 K-Music
Voice – Gero Kempf
 5:41
4 Chemistry Of Time 2:13
5 Südwind
Voice – Gero Kempf
 4:50
6 Action Parking 5:22
7 Do Not Open Before Train Stops! 4:20
8 Kadenz 3:13
9 Ausbruchsversuch
Bass – Karl F. GerberSynthesizer [Digital] – Wolfgang Foag
 3:07
10 Besser Als Sein Titel
Computer, Electronics [G-midi-improvisor] – Karl F. GerberGuitar [E-bow], Effects, Guitar – Jürgen Fritzsch-Schraud
 4:21
11 Kokosnoten 4:10
12 Level Crossing 7:20
13 Gefahrliche Essenzen
Electronics [Ringmodulator] – Günter Schroth
 1:48
14 Come Closer
Bass – Karl F. GerberGuitar, Effects – Andreas Schosser
 14:38

Credits

  • Artwork By [Cover Design] – ZiZy
  • Bass – Gero Kempf (tracks: 3, 5, 7, 11)
  • Computer – Andreas Nagl (tracks: 6, 10, 13), Günter Schroth (tracks: 1 to 5, 7 to 9, 11, 12, 14)
  • Drum Programming [Percussion Module] – Fritz Henschke (tracks: 3, 5, 7, 11)
  • Effects – Gerd Schedel* (tracks: 1, 2, 4, 6, 8, 9, 12 to 14), Karl F. Gerber (tracks: 3, 5, 7, 9 to 11, 14), Roman Lang (tracks: 9, 14), Uta Hervol (tracks: 6, 10, 13), Uwe Zahn (tracks: 1, 2, 4, 8, 9, 12, 14), Wolfgang Foag
  • Electronics [Sys Ex Data Improvisor] – Günter Schroth (tracks: 1 to 5, 7 to 9, 11, 12, 14)
  • Mastered By [Digital Mastering] – Josef Kiefer
  • Mastered By [Premastering] – Six And More
  • Other [Liner Notes] – Günter Schroth
  • Sampler – Fritz Henschke (tracks: 1, 2, 4, 8, 12), Gerd Schedel* (tracks: 1, 2, 4, 6, 8, 9, 12 to 14), Karl F. Gerber (tracks: 3, 5, 7, 11)
  • Synthesizer [Analog] – Gerd Schedel* (tracks: 1, 2, 4, 6, 8, 9, 12 to 14), Günter Schroth (tracks: 6, 13), Roman Lang (tracks: 9, 14), Uta Hervol (tracks: 3, 5 to 7, 10, 11, 13), Wolfgang Foag (tracks: 1 to 8, 10 to 14)
  • Synthesizer [Digital] – Andreas Nagl (tracks: 6, 10, 13), Fritz Henschke (tracks: 1 to 8, 10 to 13), Gero Kempf (tracks: 3, 5, 7, 11), Günter Schroth (tracks: 1 to 5, 7 to 9, 11, 12, 14), Jens Groh (tracks: 3, 5, 7, 11), Robert Besch (tracks: 1 to 5, 7, 8, 11, 12), Robert Frey (tracks: 3, 5, 7, 9, 11, 14), Uwe Zahn (tracks: 1 to 5, 7 to 9, 11, 12, 14)
  • Tape – Gerd Schedel* (tracks: 1, 2, 4, 6, 8, 9, 12 to 14), Uta Hervol (tracks: 6, 10, 13)

Notes

Live electronic music for "Six And More" musicians, no overdubs
Recorded at Studio Lupus Polaris, Munich
Produced by Archegon
ADD

"The basic idea behind the "Six and More" sessions has been, on the one hand, to provide an open platform of cooperation for musicians involved in electronic music in one way or another and, on the other, to create a type of electronic music that can only be realized by a rather special concept. This led to an open-ended series of sessions at which "Six and More" musicians would interact in free collective improvisation and thus create an intricately structured, resourceful. and dynamic sonic space - pure communication by sound - live electronics!
The way sessions are spaced leaves adequate room for the musicians to develop new ideas, styles, and sounds. Also, the project's participants will vary from session to session, thus continually enriching the music with the personal touch and talent of every new member and lending each session, within the stylistic limits of the project, a character of its own. The musicians' background covers quite heterogeneous fields of electronic music and of neighbouring musical territories. Thus the participants at the sessions leading to the production of "Do Not Open" represent the following groups: Akwop, Ampersand, Ampzilla's Delight, Ecco, Das Gelbe, Decks Run Red, Focus Pocus, Négligé-electronic underwear, Schultze & Schmidt, Triangle, Value Stress, Xerophyte.
The first four "Six and More" sessions captured on this CD were held in Munich. In order to provide even greater room for variation in set-upand setting, sessions in other cities are envisaged. Berlin in summer 1992 marked a starting-point of this new tendency. Excerpts from that session will be released on the next Six and More CD in 1995.
Choosing the tracks suitable for release on CD and deciding on the cover design was a group activity enabling every participant to make his/her individualcontribution, even at the final stage, towards the success to the CD in your hands."

First edition of 1000 copies

Six And More - Do Not Open! FLAC album

Musician performer: Six And More

Title: Do Not Open!

Date of release: 1993

Style: Experimental

Genre: Electronic

Size FLAC: 1693 mb

Rating: 4.9 / 5

Votes: 593

Other Formats: DXD MP4 ADX AC3 ASF VOX MIDI

Six And More Experimental 1993

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Cogelv
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Cogelv
The idea behind this recording is to get six or more musicians/experimenters to create various pieces of music together. The only member to appear on all tracks is WOLFGANG FOAG, although altogether there are 15 floating members. KARL F. GERBER is the only member I really have heard anything by before, although these folks hail from a dozen groups. Instruments are swapped & everyone seems to take a turn, resulting in a fluid, changing-yet-challenging series of soundscapes which owe a hell of a lot to the composer VARÉSE. "Poeme Électronique" was arguably one of VARÉSE's most interesting and accessible works, one of the first and greatest pieces of Musique Concrete, dating back to 1958, and it's nice to hear people who have picked up the ball and run with it. Where the original inspiration was a spartan, fragmented thing, using space over density, these works fill the air with their strange odd shapes, trying their damnedest to avoid anything approaching structure. It's an odd journey, an electronic diorama of random, helter-skelter scrapyards, landscapes filled with upturned bed frames, gutted televisions, rusting machinery and all manner of strange, stark but strangely fascinating images. Not that they use anything as clichéd as metal - the noises here are all electronic, or so altered by treatments as to appear electronic. Musically this is like Jazz developed in some non-human area of Cyberspace, where the Loa ride electronic representations of ZORN & COXHILL. As wonderful as it is to hear this music, I felt perhaps the album was if anything a little long - you're not so much left hungry for more than peckish for something a little different. With most of the compositions purely random, it does get a little too alienating. But it's nice to know there are folk out there mad enough to create this type of music. A welcome addition to any electronic collection.Originally reviewed for Soft Watch.