While Enforcer is the typical Drumcode-makes-another-the-entire-club-goes-mad type of a track, with rapidly proceeding drums, a few crystal clear sequences throughout and a larger break halfway through to ensure one of those hands in the air moments, my money goes on DBL.Don't get me wrong, structure wise, it follows the exact same formula as the previous number, but it revolves around absolutely crazy laser gun effects dashing at light speed over Speedy J-ish drum rolls and a wicked concentric bass line, giving you the feeling of participating in an interplanetary battle when you hear it on a high end system. It has one of those longer pauses, alla the A1 track on Electric Deluxe's self titled EP, during which you know all hell is going to break free, but the intensity level is just ridiculous here. Not the one for the originality medal, but keeping in mind that the entire Gainlane series is more or less an interpretation of the same formula, I'd say give this one a shot along with the release which has Bitching Betty. If I remember correctly, those two tracks are in my opinion the standouts of the bunch. Another track that comes to my mind whenever I put DBL on is Henrik B's remix of Chris Liebing's Too Much Talk.