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Vinegar - Vinegar FLAC album

Vinegar - Vinegar FLAC album

Tracklist

Missi Solis 12:15
Sawmill - Teil I 5:22
Sawmill - Teil II 5:05
Der Kaiser Auf Der Erbse (Caesar Supra Ciceronem) (7:04)
Des Kaisers Süßer Schlummer
Des Kaisers Böser Traum
Des Kaisers Zinnenstürz
Fleisch 7:04

Versions

Category Artist Title (Format) Label Category Country Year
710101 Vinegar Vinegar ‎(LP, Album) wp 710101 Germany 1971
CD 091 Vinegar Vinegar ‎(CD, Album, RE) Garden Of Delights CD 091 Germany 2003
AS LP 003 Vinegar Vinegar ‎(LP, Album, RE) Amber Soundroom AS LP 003 Germany 2004


Vinegar - Vinegar FLAC album

Musician performer: Vinegar

Title: Vinegar

Country: Germany

Date of release: 1971

Style: Krautrock, Prog Rock

Genre: Rock

Size FLAC: 1757 mb

Rating: 4.6 / 5

Votes: 993

Other Formats: AA VOX MP1 VQF AIFF WMA TTA

Vinegar Krautrock Prog Rock 1971 Germany

Related to Vinegar - Vinegar FLAC Albums

Nalmetus
One of the prime star reissues, Vinegar was a mysterious album, that I only ever had as a cassette recording, and was at the top of my wants list. There was a rumour that came via Günter Körber (Brain/Sky Records) that they were part of the history of Electric Sandwich, but this seems to be not the case.Vinegar's sole album was a magical affair, full of innovation, strong composition, and with lengthy tracks that gave lots of room for the unexpected, a wealth of musical complexities and instrumental solo breaks. Their brand was undoubtedly psychedelic spiced rock, and one that mixed in a lot of styles. Popularly their music had been compared to British bands like Tractor or Elias Hulk, yet one could quote T2 and a little Pink Floyd, amongst dozens of other flashes that come to mind. Yet one of the guitarists had a very Jim Cippolina (Quicksilver) flair, and the violin work certainly recalls Simon House (with High Tide and Hawkwind) and Chris Karrer (of Amon Düül II). But, in all, Vinegar had a style of their own that was none of this, very Teutonic, and difficult to pin-down, much like Gomorrha's diverse I TURNED TO SEE WHOSE VOICE IT WAS.Undoubtedly, the violin is a key factor in the music, but it's only one focus, as themulti-guitars fill-in a lot of the textures against the never too dominant organ. The variations in mood and power, with tracks that are often sewn together, all add up to a continuous stream of surprising nods to classical and jazzy themes. The opening Missi Solis supports a majestic rock ballad (sung in a restrained soft English) held inside a track that keeps threatening to break-out. Dagmar Dormagen (who generally plays flute elsewhere) adds some nicely punky vocals that wouldn't be out of place in early Amon Düül II, at the opening of Sawmill, a two-part track that covers almost everything Krautrock imaginable. The demented vocals that enter in Der Kaiser Auf Der Erbse are another unexpected but perfect addition to the albums continual innovation.Admittedly, Vinegar did almost stumble over themselves at times, and there are a couple of guitar notes that don't sound quite right, yet it seems that the album was largely performed live, all in one day, which is quite remarkable considering the quality of the sound. These very minor "flaws" don't at all detract from what is a remarkable and stunning album.
Nalmetus
One of the prime star reissues, Vinegar was a mysterious album, that I only ever had as a cassette recording, and was at the top of my wants list. There was a rumour that came via Günter Körber (Brain/Sky Records) that they were part of the history of Electric Sandwich, but this seems to be not the case.Vinegar's sole album was a magical affair, full of innovation, strong composition, and with lengthy tracks that gave lots of room for the unexpected, a wealth of musical complexities and instrumental solo breaks. Their brand was undoubtedly psychedelic spiced rock, and one that mixed in a lot of styles. Popularly their music had been compared to British bands like Tractor or Elias Hulk, yet one could quote T2 and a little Pink Floyd, amongst dozens of other flashes that come to mind. Yet one of the guitarists had a very Jim Cippolina (Quicksilver) flair, and the violin work certainly recalls Simon House (with High Tide and Hawkwind) and Chris Karrer (of Amon Düül II). But, in all, Vinegar had a style of their own that was none of this, very Teutonic, and difficult to pin-down, much like Gomorrha's diverse I TURNED TO SEE WHOSE VOICE IT WAS.Undoubtedly, the violin is a key factor in the music, but it's only one focus, as themulti-guitars fill-in a lot of the textures against the never too dominant organ. The variations in mood and power, with tracks that are often sewn together, all add up to a continuous stream of surprising nods to classical and jazzy themes. The opening Missi Solis supports a majestic rock ballad (sung in a restrained soft English) held inside a track that keeps threatening to break-out. Dagmar Dormagen (who generally plays flute elsewhere) adds some nicely punky vocals that wouldn't be out of place in early Amon Düül II, at the opening of Sawmill, a two-part track that covers almost everything Krautrock imaginable. The demented vocals that enter in Der Kaiser Auf Der Erbse are another unexpected but perfect addition to the albums continual innovation.Admittedly, Vinegar did almost stumble over themselves at times, and there are a couple of guitar notes that don't sound quite right, yet it seems that the album was largely performed live, all in one day, which is quite remarkable considering the quality of the sound. These very minor "flaws" don't at all detract from what is a remarkable and stunning album.