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Ataraxia - Nosce Te Ipsum FLAC album

Tracklist

Atto Primo: Dietro Lo Specchio
Aigues Mortes
Tu Es La Force Du Silence
Flée Et Fabian
Nosce Te Ipsum
Atto Secondo: Dentro Lo Specchio
Zweistimmenstäuschung
Torquemada
In Articulo Mortis

Versions

Category Artist Title (Format) Label Category Country Year
none Ataraxia Nosce Te Ipsum ‎(Cass, Album, Ltd, TDK) Not On Label (Ataraxia Self-released) none Italy 1991
EP 015 Ataraxia Nosce Te Ipsum ‎(Cass, Album) Energeia EP 015 Italy 1991
EP015 Ataraxia Nosce Te Ipsum ‎(Cass, Album, RE) Energeia EP015 Italy 1991
TW 1.45 Ataraxia Nosce Te Ipsum ‎(CD, Album, RE, RM) Twilight Records TW 1.45 Argentina 2008
TW 1.45 Ataraxia Nosce Te Ipsum ‎(CD, Album, RE, RM, 2nd) Twilight Records TW 1.45 Argentina Unknown

Tracklist

1 Prophetia 1:37
2 Aigues Mortes 6:20
3 Tu Es La Force Du Silence 4:19
4 Flée Et Fabian 4:43
5 Nosce Te Ipsum 6:23
6 Zweistimmenstäuschung 6:19
7 Torquemada 4:40
8 Incabala 3:31

Companies, etc.

  • Manufactured By – Megadisc – MD 793

Credits

  • Acoustic Guitar, Electric Guitar, Synthesizer [Guitar], Drum Machine – Vittorio Vandelli
  • Artwork – Nicolas Ramain
  • Backing Vocals – Giovanni Pagliari (tracks: 8)
  • Backing Vocals, Vocals [Recited] – Francesca Zitoli (tracks: 2, 6, 7)
  • Bass Guitar – Michele Urbano* (tracks: 2 to 7)
  • Keyboards, Piano – Giovanni Pagliari
  • Photography By [Cover] – Ataraxia
  • Photography By [Other] – Raffaella Graziosi
  • Recorded By, Mixed By – Giorgio Buttazzo (tracks: 1 to 7), Vittorio Vandelli (tracks: 8)
  • Voice, Drum Machine – Francesca Nicoli
  • Written-By, Performer – Ataraxia

Notes

Originally released on tape on Energeia in 1991. Comes in digipak.

Tracks 4 & 6 are written without diacritics.

Barcode and Other Identifiers

  • Matrix / Runout: MEGADISC MD 793 INDUSTRIA ARGENTINA
  • Mould SID Code: IFPI Q5M1

Other versions

Category Artist Title (Format) Label Category Country Year
none Ataraxia Nosce Te Ipsum ‎(Cass, Album, Ltd, TDK) Not On Label (Ataraxia Self-released) none Italy 1991
EP 015 Ataraxia Nosce Te Ipsum ‎(Cass, Album) Energeia EP 015 Italy 1991
TW 1.45 Ataraxia Nosce Te Ipsum ‎(CD, Album, RE, RM, 2nd) Twilight Records TW 1.45 Argentina Unknown
EP015 Ataraxia Nosce Te Ipsum ‎(Cass, Album, RE) Energeia EP015 Italy 1991


Ataraxia - Nosce Te Ipsum FLAC album

Musician performer: Ataraxia

Title: Nosce Te Ipsum

Country: Italy

Date of release: 1991

Style: Modern Classical, Goth Rock

Genre: Electronic / Rock

Size FLAC: 1206 mb

Rating: 4.5 / 5

Votes: 844

Other Formats: APE MPC AUD WAV XM AC3 MOD

Related to Ataraxia - Nosce Te Ipsum FLAC Albums

Qumenalu
Well, having read the PR stuff, I wasn' t sure what to expect at all but. what I actually got was a music which deserves a much wider audience. Comparisons with such people as the COCTEAU TWINS, ENYA, CLANNAD are inevitable but these influences (if such they are) show through rarely - and the vocalist sounds a little more like a lighter, more melodic NICO, although again, this is an easy cop out, for your humble reviewer - her voice is probably stronger than any of those mentioned below. The album opens with "Aigues Mortes" - large and dramatic music built around a thudding bass drum. The vocalist has a strong voice which follows the music perfectly while choral backing adds just the right amount of colour. "Te Es La Force Du Silence" follows with a sort of crossover between the COCTEAUs and the BRITH GOF / TEST DEPT album sound - melodic yet retaining a spine of pure granite. "Fleè Et Fabian" follows this, again like the GUTHRIE / FRAZER partnership, but somehow this reaches further, goes beyond mere music to tap human emotion, showing us some place of beauty and inspiration we didn't know we were missing. It ends leaving you feeling empty with loss in the visceral seat of your soul. "Nosce Te Ipsum", the last track on side one begins a little Folksy/Medieval, then gains a good running pace, carrying the listener along on a tide of intense music. "Zweistimmenstauschung" starts side two, another fastish-paced, massive piece of music which diversifies in style and composition at intervals, keeping a hard, tight sound while making occasional forays into the field of tense madness. "Torquemada" - which may be about that nice Spanish guy - has a chilling hardness with a rising sound which might give members of WHITEHOUSE bad dreams. It has a Middle-Ages feel to it, which certainly adds to the atmosphere. "In Articulo Mortis" closes the album with a medium-paced track - fully-fleshed out but somehow loose, closer to improvisation, this time the vocalist bringing SIOUXSIE to mind, even to the point of gritty flanged guitar. If this review has germinated interest in you, then buy a copy of it & listen to it loud - it's an experience I can enjoy all too rarely! Originally reviewed for Soft Watch.
Qumenalu
Well, having read the PR stuff, I wasn' t sure what to expect at all but. what I actually got was a music which deserves a much wider audience. Comparisons with such people as the COCTEAU TWINS, ENYA, CLANNAD are inevitable but these influences (if such they are) show through rarely - and the vocalist sounds a little more like a lighter, more melodic NICO, although again, this is an easy cop out, for your humble reviewer - her voice is probably stronger than any of those mentioned below. The album opens with "Aigues Mortes" - large and dramatic music built around a thudding bass drum. The vocalist has a strong voice which follows the music perfectly while choral backing adds just the right amount of colour. "Te Es La Force Du Silence" follows with a sort of crossover between the COCTEAUs and the BRITH GOF / TEST DEPT album sound - melodic yet retaining a spine of pure granite. "Fleè Et Fabian" follows this, again like the GUTHRIE / FRAZER partnership, but somehow this reaches further, goes beyond mere music to tap human emotion, showing us some place of beauty and inspiration we didn't know we were missing. It ends leaving you feeling empty with loss in the visceral seat of your soul. "Nosce Te Ipsum", the last track on side one begins a little Folksy/Medieval, then gains a good running pace, carrying the listener along on a tide of intense music. "Zweistimmenstauschung" starts side two, another fastish-paced, massive piece of music which diversifies in style and composition at intervals, keeping a hard, tight sound while making occasional forays into the field of tense madness. "Torquemada" - which may be about that nice Spanish guy - has a chilling hardness with a rising sound which might give members of WHITEHOUSE bad dreams. It has a Middle-Ages feel to it, which certainly adds to the atmosphere. "In Articulo Mortis" closes the album with a medium-paced track - fully-fleshed out but somehow loose, closer to improvisation, this time the vocalist bringing SIOUXSIE to mind, even to the point of gritty flanged guitar. If this review has germinated interest in you, then buy a copy of it & listen to it loud - it's an experience I can enjoy all too rarely! Originally reviewed for Soft Watch.