» » Siggatunez - Street Sessions Pt. 1
Siggatunez - Street Sessions Pt. 1 FLAC album

Tracklist

A From The Bottom
B1 If
B2 Latenight Tale

Companies, etc.

  • Copyright (c) – Traxx Underground
  • Phonographic Copyright (p) – Traxx Underground
  • Pressed By – MPO

Credits

  • Mastered By – JA*
  • Written-By, Producer, Mixed By – Siggatunez

Barcode and Other Identifiers

  • Matrix / Runout (Runout Side A): TU 014 A JA MPO
  • Matrix / Runout (Runout Side B): TU 014 B JA MPO

Other versions

Category Artist Title (Format) Label Category Country Year
TU014 Siggatunez Street Sessions Pt. 1 ‎(12", TP) Traxx Underground TU014 Italy 2016


Siggatunez - Street Sessions Pt. 1 FLAC album

Musician performer: Siggatunez

Title: Street Sessions Pt. 1

Country: Italy

Date of release: 2016

Style: House, Deep House

Genre: Electronic

Size FLAC: 1129 mb

Rating: 4.4 / 5

Votes: 490

Other Formats: AIFF MP2 MIDI AC3 MOD DXD WMA

Related to Siggatunez - Street Sessions Pt. 1 FLAC Albums

Yahm
"From the Bottom" lays down a modest fistful of chugging, deep-house wurlitzer chord stabs, then takes us on a curve-hugging drive through every last possible twist and turn that Frankfurt producer Siggi Tunezia (can that really be his birth name?!) can wring out of them. Those chords feel PLAYED in real time, not programmed, which makes all the difference. The approach is a bit like a more disciplined, polyphonic take on Jaydee's "Plastic Dreams," though in practice it's housier, skippier and more akin to Robin Albers' lesser-known S.U.A.D. project. In our modern glut of looping, by-the-numbers laptop-house tracks that have nothing new left to say after 90 seconds, this one sustains dancefloor interest over nine slinky, supple minutes.
Yahm
"From the Bottom" lays down a modest fistful of chugging, deep-house wurlitzer chord stabs, then takes us on a curve-hugging drive through every last possible twist and turn that Frankfurt producer Siggi Tunezia (can that really be his birth name?!) can wring out of them. Those chords feel PLAYED in real time, not programmed, which makes all the difference. The approach is a bit like a more disciplined, polyphonic take on Jaydee's "Plastic Dreams," though in practice it's housier, skippier and more akin to Robin Albers' lesser-known S.U.A.D. project. In our modern glut of looping, by-the-numbers laptop-house tracks that have nothing new left to say after 90 seconds, this one sustains dancefloor interest over nine slinky, supple minutes.