Tracklist
| A1 | Raga: Todi |
| A2 | Raga: Bhairav |
| A3 | Raga: Malkauns |
| A4 | Raga: Kalavati |
| A5 | Raga: Tilak Kamod |
| A6 | Raga: Miyan Malhar |
| B1 | Raga: Bairagi |
| B2 | Raga: Jaijaiwanti |
| B3 | Raga: Mishra Pilu |
| B4 | Raga: Shivranjani |
| B5 | Raga: Bhairavi |
Companies, etc.
- Manufactured By – The Gramophone Company Of India Ltd.
- Distributed By – The Gramophone Company Of India Ltd.
- Printed By – Studio Grafic
Credits
- Arranged By – Sebastian D'Souza
- Bass – Eddie Travass
- Drums – Leslie Godinho
- Electric Guitar – Anibal Castro*, Dilip Naik
- Flute – Suman*
- Music By – Shankar Jaikishan*
- Photography By [Front Cover Photo] – Dhiraj Chawda
- Piano – Lucilla Pacheco
- Saxophone – Manohari Singh
- Sitar – Ustad Rais Khan*
- Tabla – Ramakant
- Trumpet – John Pereira
Notes
Manufactured & Distributed by The Gramophone Company Of India Limited. Contains "His Master's Voice" and classical "EMI" logos.Back cover contains the description of the album, photo of Shankar Raghuvanshi & Jaikishan Panchal and a short description of each composition.
Side one:
Raga Todi: This morning melody depicts a serene emotion with a tinge of pathos in it.
Raga Bhairav: This early-morning raga conveys a mood of quiet dignity.
Raga Malkauns: This midnight melody, lively and vivacious in character, is immensely popular in India.
Raga Kalavati: This raga, usually expounded towards midnight, conveys a mood of extreme urge.
Raga Tilak Kamod: This early-night raga is known for its bright, colourful appeal.
Raga Miyan Malhar: This night melody, conventionally associated with the rainy season, unfolds a serious, profound mood.
Side two:
Raga Bairagi: This raga is expounded in the early hours of morning. The mood is one of quiet introspection.
Raga Jaijaiwanti: This night melody conveys a romantic mood.
Raga Mishra Pilu: Essentially romantic in appeal, this raga can also lend itself to a variety of moods. It is usually associated with the third quarter of day.
Raga Shivanjani: This early-night raga evokes an atmosphere of separation and sorrow.
Raga Bhairavi: This is a morning melody. But convention has it that it can be rendered as a concluding piece in a classical recital at any hour of day and night.
Track titles appears slightly different on labels and on a back cover. They are printed as Raga: ... on labels, Raga ... on the back cover and without word "Raga" at all. Also tracks A6 and B4 are titled as "Raga: Mianki-Malhar" and "Raga: Shiv-Ranjani" on LP-labels.
Barcode and Other Identifiers
- Matrix / Runout (Side One): 2YJW (S) 19
- Matrix / Runout (Side Two): 2YJW (S) 21
Other versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| CD NF1 50134 | Shankar Jaikishan* / Rais Khan | Shankar Jaikishan* / Rais Khan - Raga-Jazz Style (CD, Album) | EMI, The Gramophone Company Of India Ltd. | CD NF1 50134 | India | 1994 |
| ECLP 2377 | Shankar Jaikishan*, Rais Khan | Shankar Jaikishan*, Rais Khan - Raga Jazz Style (LP) | His Master's Voice | ECLP 2377 | India | 1968 |
| ECSD-2377 | Shankar Jaikishan* | Raga-Jazz Style (LP, Album) | His Master's Voice | ECSD-2377 | India | 1968 |
| ECSD 2377, ECSD.3277 | Shankar Jaikishan* / Rais Khan | Shankar Jaikishan* / Rais Khan - Raga - Jazz Style (LP, Album) | His Master's Voice, His Master's Voice | ECSD 2377, ECSD.3277 | India | 1968 |
| OTR-001, ECSD-2377, ESCD.2377 | Shankar Jaikishan* / Rais Khan | Shankar Jaikishan* / Rais Khan - Raga-Jazz Style (LP, Album, RE) | Outernational Sounds, His Master's Voice, His Master's Voice | OTR-001, ECSD-2377, ESCD.2377 | UK | 2017 |
