While the A-Side of this 12 is not too shabby, it's the B-Side (which apparently the record is named after) that makes this a must-have for hardcore fans who live to terrify their audience. An ominous and apocalyptic choir is rhythmically underscored by the well-known WHUMP WHUMP WHUMP WHUMP kick, with an apppropriately disturbing sample in the breakdowns of an unknown individual desperately pleading for someone to hear his radio transmission. I could have lived without the MC that keeps popping up in the record, but we'll overlook it just this once.