» » Faraón - Testimonios De Esferas Superiores E Inferiores Al Sol
Faraón  - Testimonios De Esferas Superiores E Inferiores Al Sol FLAC album

Tracklist

1 La Evocación Y La Respuesta 2:00
2 La Ley Universal 11:10
3 La Instigación A La Comunión 2:00
4 Un Pasado Glorioso, Un Presente Detestable Y Un Futuro Sin Luz 12:50
5 Todo!!! Un Reflejo De Su Locura 5:35
6 Campanadas De Lucifer: Samael En Silencio 2:27
7 El Recuerdo, Un Lamento Y El Despertad Del Odio 17:07
8 La Plegaria De Seres Bajo Corona De Sassstia 8:47

Credits

  • Music By, Lyrics By – Temptor Princnegsur

Notes

This demo is also known as T.E.S.I.S.
All the work is about S.A.S.S.S.T.I.A.

Other versions

Category Artist Title (Format) Label Category Country Year
SoH 005 Faraón Testimonio De Esferas Superiores E Inferiores Al Sol ‎(CD, Album, RE) Sons of Hell Prod. SoH 005 Argentina 2017

Faraón  - Testimonios De Esferas Superiores E Inferiores Al Sol FLAC album

Musician performer: Faraón

Title: Testimonios De Esferas Superiores E Inferiores Al Sol

Country: Argentina

Date of release: 2000

Style: Black Metal

Genre: Rock

Size FLAC: 1886 mb

Rating: 4.3 / 5

Votes: 683

Other Formats: RA XM TTA DMF APE AU MIDI

Related to Faraón - Testimonios De Esferas Superiores E Inferiores Al Sol FLAC Albums

Nuadazius
Well; I was hesitant as whether to get this CD or not, because I don't usually do demos unless they are well recorded, and from what I had heard on YouTube, this one seemed to sound particularly bad, so I kept giving it a pass in spite of everyone on the scene telling me how important and seminal it was for Argentinian black metal, how it had kind of kick started the ¨true¨ thing and all. Finally, my partner ended up giving me one for my birthday, so I fired up my mega stereo, and proceeded to listen the hell out of it.Guess what; upon hitting the play button, my concerns were immediately confirmed; flat, it sounded raw, harsh, and devoid of dynamics, but hey, it was a demo after all, and who knows what shoestring budget the author was in upon its recording, so I started applying some heavy equalization and it started sounding way better, almost good. Mind you, this is not Transilvanian Hunger-bad, not nearly so, for every instrument -except for the bass guitar- can clearly be heard.Now to the music : after a minute and half of a spine-chilling, shouted invocation of and praising for certain demons, the first song hits you like a sledgehammer. The drumming is almost martial, with the occasional double kick drum assault and cascading toms, nothing groundbreaking but very well played, clicktrack-perfect in tempo and execution, with an almost ethereal, intricate and delicate cymbal work . Heavy on the keyboards; it is almost as if new age had been crossed over with black metal, if such a thing exists. Does that sound wrong ? Wrong ! It is simply fantastic; multi instrumentalist Temptor -this is his brainchild in its entirety- plays incredible keyboards. Think Summoning-good keys, but with a style of their very own, and you are halfway there. It is a real pity the guy has seemed to abandon the instrument on their most recent work, which I am a fan of as well.The vocals are, of course, recited/spoken, as opposed to sung, but that style has always been his trademark and really suits the opus. They are, however, somewhat highly mixed-in, somewhat preventing the great guitar work to be properly heard, yet not burying it to any alarming point. The guitar is nicely panned in the mix and I took no notice of a second one present in the mix, but I may be wrong. Bear in mind this is a no-frills demo, so maybe one guitar was all it took, and I personally don't think another axe would have made much of a difference, since the final result is already very dense, not overly so, just rightly so.There are a couple of fantastic, tasteful interludes like ¨Campanadas De Lucifer¨, made up of just guitar and bells, breathtaking in its simplicity and beauty, and another one with just keyboard and samples; they work so well as intros to the heavier tracks. The songs tend to be very long; some of them reach the 12-17' mark, with a total running time of over an hour ! Another unusual thing for a demo. Despite their length, these are the most interesting songs, possessing a hypnotic yet highly interesting, mostly mid-tempo cadence to them, and at the same time they kept my feet tapping along; a rare treat. Make no mistake, despite their almost subtle beauty, there is a healthy dosage of brutality within the songs, like an iron fist in a silk glove, if I am allowed the analogy. The last song is an angrier, furious, faster closer of the album, which invited me to crank the volume and kiss my hearing into oblivion; a proper crowning of what I had by then confirmed as a seminal Argentinian BM record.This 2017 release comes with a hefty, lavishly laid-out booklet; thick glossy paper, all of the lyrics, and some extremely interesting side notes from the author, a real treat for a black metal CD collector like me. Everything is in Spanish, but the autor's command of the language and intricacy of demonic, dark prose, are really mind-numbbing.If you are not afraid of lo-fi demos, you, like me, might enjoy this work as much as I did. Here is hoping for a modern re-recording of this demo, with better sound and a higher budget, if at all possible.
Nuadazius
Well; I was hesitant as whether to get this CD or not, because I don't usually do demos unless they are well recorded, and from what I had heard on YouTube, this one seemed to sound particularly bad, so I kept giving it a pass in spite of everyone on the scene telling me how important and seminal it was for Argentinian black metal, how it had kind of kick started the ¨true¨ thing and all. Finally, my partner ended up giving me one for my birthday, so I fired up my mega stereo, and proceeded to listen the hell out of it.Guess what; upon hitting the play button, my concerns were immediately confirmed; flat, it sounded raw, harsh, and devoid of dynamics, but hey, it was a demo after all, and who knows what shoestring budget the author was in upon its recording, so I started applying some heavy equalization and it started sounding way better, almost good. Mind you, this is not Transilvanian Hunger-bad, not nearly so, for every instrument -except for the bass guitar- can clearly be heard.Now to the music : after a minute and half of a spine-chilling, shouted invocation of and praising for certain demons, the first song hits you like a sledgehammer. The drumming is almost martial, with the occasional double kick drum assault and cascading toms, nothing groundbreaking but very well played, clicktrack-perfect in tempo and execution, with an almost ethereal, intricate and delicate cymbal work . Heavy on the keyboards; it is almost as if new age had been crossed over with black metal, if such a thing exists. Does that sound wrong ? Wrong ! It is simply fantastic; multi instrumentalist Temptor -this is his brainchild in its entirety- plays incredible keyboards. Think Summoning-good keys, but with a style of their very own, and you are halfway there. It is a real pity the guy has seemed to abandon the instrument on their most recent work, which I am a fan of as well.The vocals are, of course, recited/spoken, as opposed to sung, but that style has always been his trademark and really suits the opus. They are, however, somewhat highly mixed-in, somewhat preventing the great guitar work to be properly heard, yet not burying it to any alarming point. The guitar is nicely panned in the mix and I took no notice of a second one present in the mix, but I may be wrong. Bear in mind this is a no-frills demo, so maybe one guitar was all it took, and I personally don't think another axe would have made much of a difference, since the final result is already very dense, not overly so, just rightly so.There are a couple of fantastic, tasteful interludes like ¨Campanadas De Lucifer¨, made up of just guitar and bells, breathtaking in its simplicity and beauty, and another one with just keyboard and samples; they work so well as intros to the heavier tracks. The songs tend to be very long; some of them reach the 12-17' mark, with a total running time of over an hour ! Another unusual thing for a demo. Despite their length, these are the most interesting songs, possessing a hypnotic yet highly interesting, mostly mid-tempo cadence to them, and at the same time they kept my feet tapping along; a rare treat. Make no mistake, despite their almost subtle beauty, there is a healthy dosage of brutality within the songs, like an iron fist in a silk glove, if I am allowed the analogy. The last song is an angrier, furious, faster closer of the album, which invited me to crank the volume and kiss my hearing into oblivion; a proper crowning of what I had by then confirmed as a seminal Argentinian BM record.This 2017 release comes with a hefty, lavishly laid-out booklet; thick glossy paper, all of the lyrics, and some extremely interesting side notes from the author, a real treat for a black metal CD collector like me. Everything is in Spanish, but the autor's command of the language and intricacy of demonic, dark prose, are really mind-numbbing.If you are not afraid of lo-fi demos, you, like me, might enjoy this work as much as I did. Here is hoping for a modern re-recording of this demo, with better sound and a higher budget, if at all possible.