I recently aquired the glitter version for a reasonable price (I think) and boy, do I love that sound. If anyone is worried about the glitter producing more unwanted clicks, pops or surface noise, I can tell you that this pressing sounds beautiful. vinyl noise is almost absent. I don't have to tell you about how good the music is, you already know that if you're on this discogs page. regarding the first pressing with glitter: if you can aquire emperor tomato ketchup in nm state for an reasonable price (not the insane ones here on Discogs) - the beautifully designed cover and vinyl and the pristine sound quality makes the record set worth the price of admission indeed!

I noticed my copy came with two of the same sides. Is it 1972 labels misake? Because it was new when I bought.It's like buying a first half of a painting

I got a hold of one with two of the first disc. https://www.discogs.com/user/UNDERGROUNDSOUNDSMI may still have it, if you have two of the second disc.

Not mine, but the sound quality is questionable. Especially for a double lp pressing.

Who the heck in their right mind puts glitter on vinyl? That's pretty unique in all honesty.. How's it sound?

in all honesty, shitty. stick to the black duo phonic versions.

I second that. Just got a mint copy and it sounds delicious.

It sounds amazing. Stereolab were vinyl fetishists, remember, so they did give a lot of attention to their Duophonic special editions. Well worth it!

this is the wu tang "36 chambers" of 90s alt rock vinyl pressings... single disc, super quiet, no bass. proud to own it, but CD sounds better

My Favorite Stereolab album! Amazing production, vocals, and lyrics. "Cybele's Reverie" is one of my favorite songs of all time, although the rest of the album has top notch quality as well! However, I would recommend "Mars Aquatic Quintet" and "Dots and Loops", if this is your first Stereolab album.CD release notes: It has great packaging, fantastic sound, and you can get it for $2-5, highly worth it.

Pressed at way too low volume in order to fit onto a single LP. Should have been pressed over 2 LP's (which I see they have done with the reissues).

The original release I have is on two discs (glitter vinyl) and despite a little surface noise is really good

I have a misprinted version with 2 side 3 labels.

LOL, I have a misprinted version with 2 side 4 labels.

Stereolab's "Emperor Tomato Ketchup" refrains to a character that is very influenced by the sixties and the seventies, with undertones of French pop and reminiscences from the automatic psychedelia from Silver Apples and a well constructed pastiche of Krautrock tendencies that overcome in a very colorful and melodic album that departs from the more avantgardistic pro Velvet underground fascination more votive in their previous albums.I didnt listen this kind of music in 1996, but the powerful vitalism from it and the continuous rotation of certain songs into the circles of NYC at the time were enough to fill me with its inhibited positiveness and colorful sweetness. It is the kind of album that goes along with every circumstance and contains different moods in through its own aural delivery, thats probably its richness.The voice from Laetitia sadier along with the backing vocals of Mary Hansen creates this lovely melodic form that interplayed with the tonal layers and the instrumental loops enncompased with the robotic rhythms makes it a big hit for a rainy day, for the walk or the car drive.it is to notice that while one may dedicate some deep listening disposition towards the album it may identificate the tricks behind its veil.In some songs sometimes there is not even a proper melody construction (aside from the voices which are always the top center of the whole thing) but a sort of continuous juxtaposition of tonalities and loops that added the proper velocity and rhythmic resonance finally conform a melodic structure that always manages to bring an impressive concatenation of melody and fluidity. Also the variety of the album it is displayed not by the ammount of different instrumentation but by the disposition and different organization of the drones and the beat. Take notice for example how the backing tonal chords from "Percolator" which is an upbeat happy song resembles almost identically those of the "Monstre Sacre" which is the melancholic note from the album, nevertheless completely different in form and sentiment.This is the kind of album one may keep in the shelves for whenever the sun is not around, its shiny and colorful melodic predicament may be enough to rise the mood of a dead person, and its enough inventive and vitalistic as to surpass the mere pop enterntainment.Classic of the 90s.

The title of the album came from the Shûji Terayama's surreal movie Tomato Kecchappu Kôtei (1971) (Emperor Tomato Ketchup) http://www.imdb.com/title/tt0066468/ after the band members watched a 72 min (1996) version I guess.

How come there are no reviews for this famous album on Discogs?... Anyway, this certainly goes down as one of the iconic albums of the '90s. Combining influences from krautrock, noise pop or retro French pop (I only mentioned three, but many more can be felt on the album), Stereolab sound different on almost each track on this album, yet it never feels like a half-baked compilation or mixtape. Maybe not as cohesive as "Sound-Dust" or "Dots and Loops", Emperor Tomato Ketchup has one big advantage: it's very fun. It's also artsy, at least more artsy than "Mars Audiac Quintet", but it's fun, first of all. While struggling with a harder-to-get-into Stereolab album, I was easily attempted to replay this: it certainly caught them in a moment of divine inspiration. Needs probably a few listens or one very attentive listen, but, after that, there's no filler to be found here.