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Edith Frost - Calling Over Time FLAC album

Tracklist

Temporary Loan 4:44
Follow 3:42
Calling Over Time 3:10
Denied 3:20
Pony Song 3:42
Too Happy 3:24
Wash Of Water 3:33
Shadows 2:44
Thine Eyes 3:52
Give Me Your Love 2:45
Albany Blues 3:02

Versions

Category Artist Title (Format) Label Category Country Year
DC089 Edith Frost Calling Over Time ‎(LP, Album) Drag City DC089 US 1997
DC89CD Edith Frost Calling Over Time ‎(CD, Album) Drag City DC89CD US 1997
DC89CD Edith Frost Calling Over Time ‎(CD, Album, Promo) Drag City DC89CD US 1997


Edith Frost - Calling Over Time FLAC album

Musician performer: Edith Frost

Title: Calling Over Time

Country: US

Date of release: 1997

Style: Folk Rock, Acoustic

Genre: Rock

Size FLAC: 1121 mb

Rating: 4.1 / 5

Votes: 406

Other Formats: WMA APE FLAC MMF AU RA AAC

Related to Edith Frost - Calling Over Time FLAC Albums

Malodred
SUPPORTED BY AN All-Star cast (Rick Rizzo of Eleventh Dream Day and Sean O'Hagan of Stereolab) and affecting songwriting skills - "Calling Over Time" turns in a deeply satisfying reductionist record that reveals a lonely voice intertwined with several solo instruments ranging from violin to slow strummed acoustic guitar and/or organ, but most notably the conventional stylings of David Grubbs - yes, you read it right, David is playing "conventionally" - on the piano and Jim' O'Rourke on guitar here and there (as well as whipping it altogether up). The boundaries never stray far from a minimalist approach (working well to impart on the listener an intimate setting) with the tempo set consistently the same throughout with the exception of "Shadows" or the up beat "Too Happy," but I think you'll find it's Edith Frost's ghostly affecting vocals delivering a chemical pulse as soft as rain that pulls you in.
Malodred
SUPPORTED BY AN All-Star cast (Rick Rizzo of Eleventh Dream Day and Sean O'Hagan of Stereolab) and affecting songwriting skills - "Calling Over Time" turns in a deeply satisfying reductionist record that reveals a lonely voice intertwined with several solo instruments ranging from violin to slow strummed acoustic guitar and/or organ, but most notably the conventional stylings of David Grubbs - yes, you read it right, David is playing "conventionally" - on the piano and Jim' O'Rourke on guitar here and there (as well as whipping it altogether up). The boundaries never stray far from a minimalist approach (working well to impart on the listener an intimate setting) with the tempo set consistently the same throughout with the exception of "Shadows" or the up beat "Too Happy," but I think you'll find it's Edith Frost's ghostly affecting vocals delivering a chemical pulse as soft as rain that pulls you in.