» » P. Willsher & K. Chesher - Electroshake
P. Willsher & K. Chesher - Electroshake FLAC album

Tracklist

A1 Veteran Car 2:02
A2 Psyche Suki 2:49
A3 Generator Foxtrot 1:10
A4 Swing Along 1:56
A5 Electroshake 1:53
A6 Crazy Train 2:06
A7 Skid Track 0:39
B1 Heart Pulse 1:57
B2 Apprehension 1:58
B3 Eye Of Horus 2:08
B4 Coming Of The Saucers 1:48
B5 Catwalk 0:56
B6 Time Machine 2:23
Suspense Chords
B7 No. 1 0:05
B8 No. 2 0:09
B9 No. 3 0:12

Credits

  • Written-By – K. Chesher*, P. Willsher*

Notes

33⅓ r.p.m. (MONO)

Other versions

Category Artist Title (Format) Label Category Country Year
DW/LP 3084 P. Willsher* & K. Chesher* P. Willsher* & K. Chesher* - Electroshake ‎(10", RE) Music De Wolfe DW/LP 3084 UK Unknown


P. Willsher & K. Chesher - Electroshake FLAC album

Musician performer: P. Willsher

Title: Electroshake

Country: UK

Date of release: 1968

Style: Psychedelic Rock, Experimental, Fusion

Genre: Electronic / Jazz / Rock / Stage & Screen

Size FLAC: 1604 mb

Rating: 4.5 / 5

Votes: 703

Other Formats: MP4 AU AIFF WAV ASF AC3 MMF

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Finally! I found the weird music that plays in the "Deja Vu" Monty Python sketch! After all these years its "Eye of Horus".
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Finally! I found the weird music that plays in the "Deja Vu" Monty Python sketch! After all these years its "Eye of Horus".
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Cemav
While the title invokes thoughts of some kind of late-era disco compilation, the album is in fact rather harder to qualify; and further, dates back to 1968. Starting with twangy country and reverb-soaked psychedelic rock, moving to instrumental avantgarde preludes, and ending with analogue synth experiments, there is a range of composition here far greater than on your average Music De Wolfe album.What encouraged me to put my thoughts of this particular example of De Wolfe's incredibly extensive collection of library music to words is a set of three tracks from the middle of the recording: 'Generator Foxtrot', 'Time Machine' and, most importantly, the eponymous 'Electroshake'. While each of the three uses industrial-esque percussion, the latter sound like an instrumental precursor to drum and bass, with surf-rock guitar playing over top, and quite simply must be heard to be believed. Hard to fathom that a potential customer of De Wolfe would (after browsing through hundreds of albums of music composed with television spots, radio advertisements and B movies in mind) settle on this piece to score their Wheatabix commercial, but who knows?
Cemav
While the title invokes thoughts of some kind of late-era disco compilation, the album is in fact rather harder to qualify; and further, dates back to 1968. Starting with twangy country and reverb-soaked psychedelic rock, moving to instrumental avantgarde preludes, and ending with analogue synth experiments, there is a range of composition here far greater than on your average Music De Wolfe album.What encouraged me to put my thoughts of this particular example of De Wolfe's incredibly extensive collection of library music to words is a set of three tracks from the middle of the recording: 'Generator Foxtrot', 'Time Machine' and, most importantly, the eponymous 'Electroshake'. While each of the three uses industrial-esque percussion, the latter sound like an instrumental precursor to drum and bass, with surf-rock guitar playing over top, and quite simply must be heard to be believed. Hard to fathom that a potential customer of De Wolfe would (after browsing through hundreds of albums of music composed with television spots, radio advertisements and B movies in mind) settle on this piece to score their Wheatabix commercial, but who knows?