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Moment Of Truth - So Much For Love FLAC album

Moment Of Truth - So Much For Love FLAC album

Tracklist

A So Much For Love 6:35
B So Much For Love (Instrumental) 5:45

Companies, etc.

  • Phonographic Copyright (p) – Salsoul Record Corp.
  • Manufactured By – Salsoul Records
  • Published By – Brookside Music Corp.
  • Published By – Ceberg Music Corp.
  • Published By – Planetary Music Publ. Corp.

Credits

  • Arranged By – Norman Bergen
  • Mastered By – TM/JR*
  • Mixed By – Tom Moulton
  • Producer, Written-By – Norman Bergen, Reid Whitelaw

Notes

Publ. by Brookside Music Corp./Ceberg Music Corp./Planetary Music Corp. (ASCAP)
Not For Sale
Produced For Bergen-Whitelaw Prod., Ltd.
℗ 1976 Salsoul Record Corp.
Mfg. by Salsoul Records

Barcode and Other Identifiers

  • Matrix / Runout (Label Both Sides): 12D-2009 A
  • Matrix / Runout (A-Side Runout): 12D-2009A TM/JR 1B
  • Matrix / Runout (B-Side Runout): 12D-2009 XXX B-DJ TM/JR
  • Rights Society: ASCAP

Other versions

Category Artist Title (Format) Label Category Country Year
12D-2009 Moment Of Truth So Much For Love ‎(12") Salsoul Records 12D-2009 US 1976
45S-1003 Moment Of Truth So Much For Love ‎(12", Promo) Salsoul Records 45S-1003 Japan 1976
none Moment Of Truth So Much For Love ‎(Acetate, 12", S/Sided, Unofficial) Disco Queen Records, Salsoul Records none US Unknown
SZ-2009 Moment Of Truth So Much For Love ‎(7", Mono, Promo) Salsoul Records SZ-2009 US 1976
45S-1003 Moment Of Truth So Much For Love ‎(12") Salsoul Records 45S-1003 Japan 1976


Moment Of Truth - So Much For Love FLAC album

Musician performer: Moment Of Truth

Title: So Much For Love

Country: US

Date of release: 1976

Style: Disco

Genre: Funk & Soul

Size FLAC: 1266 mb

Rating: 4.1 / 5

Votes: 966

Other Formats: AA MIDI DTS DXD AAC DMF AHX

Moment Of Truth Disco 1976 US

Related to Moment Of Truth - So Much For Love FLAC Albums

Lightwind
Special credits and respect must be given to the unparalleled arrangements of Norman Bergen's approach on the tune with Reid Whitelaw. Norman remembers it: "The simple answer is yes, I wrote all the parts including string lines; directed the session with my co-writer and co-producer Reid Whitelaw.I am a pianist, composer & arranger. I wrote the melodies to all my songs and wrote by hand each musician's part: violin, viola, cello, trumpet, trombone, reeds, all note for note. I hear it in my head then write it out; by hand in those days - that is my main area of expertise. Rhythm parts - piano, guitar, bass, drums & percussion are 50% up to the creativity of each player. That is why the rhythm players matter so much on pop recordings. That's where the groove is created. Strings and horn players must be expert quick readers and understand each style."The Truth about 'So Much For Love' (specially Tom Moulton's instrumental version) is that your life will never be the same after you hear it.
Lightwind
Special credits and respect must be given to the unparalleled arrangements of Norman Bergen's approach on the tune with Reid Whitelaw. Norman remembers it: "The simple answer is yes, I wrote all the parts including string lines; directed the session with my co-writer and co-producer Reid Whitelaw.I am a pianist, composer & arranger. I wrote the melodies to all my songs and wrote by hand each musician's part: violin, viola, cello, trumpet, trombone, reeds, all note for note. I hear it in my head then write it out; by hand in those days - that is my main area of expertise. Rhythm parts - piano, guitar, bass, drums & percussion are 50% up to the creativity of each player. That is why the rhythm players matter so much on pop recordings. That's where the groove is created. Strings and horn players must be expert quick readers and understand each style."The Truth about 'So Much For Love' (specially Tom Moulton's instrumental version) is that your life will never be the same after you hear it.
TheFresh
The instrumental is my favorite disco song of all time. Granted I'm a youngster (only 24) and haven't listened probably to as much disco as most aficionados, Tom Moulton's mix just really stands out for me, how it builds and that.According to Bill Brewster and Frank Broughton's book Last Night a DJ Saved My Life (2000), this is the first 12" single ever pressed. I think the instrumental in particular is just a monster and if you can find it anywhere, spend the money to get it. MOT really pulled it off in that session.
TheFresh
The instrumental is my favorite disco song of all time. Granted I'm a youngster (only 24) and haven't listened probably to as much disco as most aficionados, Tom Moulton's mix just really stands out for me, how it builds and that.According to Bill Brewster and Frank Broughton's book Last Night a DJ Saved My Life (2000), this is the first 12" single ever pressed. I think the instrumental in particular is just a monster and if you can find it anywhere, spend the money to get it. MOT really pulled it off in that session.
Painshade
The Tom Moulton instrumental is personnaly my all time favourite track. Epic, very very beautiful instrumental, with many many beautiful deep feelings ; i found this record in November in a small record shop in Paris that's closed today, bought it for 10 euros (12dollars) the seller was involved into RAP music & didn't know anything about true soul music, , it's one of the rarest Tom Moulton mixes, one of the first I think, rare as hell. But a record is not good because it is rare ; just put the needle on the record push play then you'll know why a track is good or isn't - and this one belongs to la creme de la creme. You can really tell that the ex members of MFSB are involved here. Tight, exciting and hypnotizing... very very very beautiful instrumental.. Magic sound, piece of heaven. Absolute magic, one of my favourite Tom Moulton mixes. Everything a disco record should be.. "THE" Salsoul Sound
Painshade
The Tom Moulton instrumental is personnaly my all time favourite track. Epic, very very beautiful instrumental, with many many beautiful deep feelings ; i found this record in November in a small record shop in Paris that's closed today, bought it for 10 euros (12dollars) the seller was involved into RAP music & didn't know anything about true soul music, , it's one of the rarest Tom Moulton mixes, one of the first I think, rare as hell. But a record is not good because it is rare ; just put the needle on the record push play then you'll know why a track is good or isn't - and this one belongs to la creme de la creme. You can really tell that the ex members of MFSB are involved here. Tight, exciting and hypnotizing... very very very beautiful instrumental.. Magic sound, piece of heaven. Absolute magic, one of my favourite Tom Moulton mixes. Everything a disco record should be.. "THE" Salsoul Sound