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Mozart, Members Of The Vienna Octet - Divertimenti K.334 K.136 FLAC album

Mozart, Members Of The Vienna Octet - Divertimenti K.334 K.136 FLAC album

Tracklist

Divertimento In D Major, No. 17 K.334
A1 1. Allegro
A2 2. Tema Con Variazioni - Andante
A3 3. Menuetto
A4 4. Adagio
B1 5. Menuetto
B2 6. Rondo Allegro
Divertimento In D Major, No. 1 K.136
B3 1. Allegro
B4 2. Andante
B5 3. Presto

Companies, etc.

  • Recorded At – Sofiensaal
  • Mastered At – Decca Studios
  • Printed By – James Upton Ltd.
  • Copyright (c) – The Decca Record Company Limited

Credits

  • Cello – Nikolaus Hübner
  • Composed By – Mozart*
  • Double Bass – Johann Krump
  • Engineer [Uncredited] – James Brown
  • Ensemble – Members Of The Vienna Octet*
  • Horn – Josef Veleba (tracks: A1 to B2), Otto Nitsch (tracks: A1 to B2)
  • Mastered By – W
  • Producer [Uncredited] – Erik Smith
  • Viola – Günther Breitenbach
  • Violin – Anton Fietz, Philipp Matheis

Notes

Repress from ca. 1966 - 1968.
Original issue has "ORIGINAL RECORDING BY" on labels and was released in 1962.

LABELS:
- Black/silver 'grooved wideband' labels
- "MADE IN ENGLAND BY" at 11 o'clock
- "℗ 1961"
- Decca 'Musical Notes' logo on both sides
- Tax code "K/T"
- Matrix numbers printed upside-down

SLEEVE:
- Front laminated
- No flipbacks
- Boxed Decca logo on front and back
- Large "STEREO" on front
- Spine has text on it, bold "STEREO" on spine
- "© The Decca Record Company Ltd., London, 1961"
- "Printed in England by James Upton Ltd. Birmingham & London."
- "Laminated with 'Clarifoil' made by British Celanese Limited"
- Unsigned liner notes in English on back

CATALOG NUMBERS:
- SXL 2290 on sleeve
- SXL.2290 on labels

OTHER INFORMATION:
- Recorded 6 - 7 April 1961 in the Sofiensaal, Vienna
- Labelography code: ED2
- Corresponding mono issue has Category LXT 5653

Barcode and Other Identifiers

  • Matrix / Runout (Runout side A - machine stamped - this variant): ZAL-5240-3W B KT 1
  • Matrix / Runout (Runout side B - machine stamped - this variant): ZAL-5241-2W U KT 1
  • Matrix / Runout (Matrix on label - side A): ZAL.5240
  • Matrix / Runout (Matrix on label - side B): ZAL.5241
  • Other (Tax code on label): K/T

Other versions

Category Artist Title (Format) Label Category Country Year
KIJC 9163 Mozart*, Members Of The Vienna Octet* Mozart*, Members Of The Vienna Octet* - Divertimenti K.334 & K.136 ‎(LP, The) London Records KIJC 9163 UK 1995
SXL 2290, SXL.2290 Mozart*, Members Of The Vienna Octet* Mozart*, Members Of The Vienna Octet* - Divertimenti K.334 K.136 ‎(LP) Decca, Decca SXL 2290, SXL.2290 UK 1961
STS 15304 Mozart*, Members Of The Vienna Octet* Mozart*, Members Of The Vienna Octet* - Divertimenti K.334 K.136 ‎(LP) London Records STS 15304 US Unknown
SDD 251 Mozart*, Members Of The Vienna Octet* Mozart*, Members Of The Vienna Octet* - Divertimenti K.334 & K.136 ‎(LP, RE) Decca, Ace Of Diamonds SDD 251 UK Unknown
LXT 5653 Mozart*, Members Of The Vienna Octet* Mozart*, Members Of The Vienna Octet* - Divertimenti K.334 K.136 ‎(LP, Mono) Decca LXT 5653 UK Unknown

Mozart, Members Of The Vienna Octet - Divertimenti K.334 K.136 FLAC album

Musician performer: Mozart

Title: Divertimenti K.334 K.136

Country: UK

Style: Classical

Genre: Classical

Size FLAC: 1264 mb

Rating: 4.3 / 5

Votes: 945

Other Formats: APE TTA VOC DTS MP2 FLAC WAV

Mozart Classical UK

Related to Mozart, Members Of The Vienna Octet - Divertimenti K.334 K.136 FLAC Albums

Ynneig
The Divertimento K334 features a very important first violin line, with the other parts playing subsidiary roles – very subsidiary in the case of the horns. So the work stands or falls by the standard of the first violin, which here is played with grace and a very Viennese charm by Anton Fietz. While his rubato sometimes strays into Strauss territory, the sheer warmth of the playing and its unfailing musicality make this a delight to the ear. They don't play Mozart like that any more, more's the pity!
Ynneig
The Divertimento K334 features a very important first violin line, with the other parts playing subsidiary roles – very subsidiary in the case of the horns. So the work stands or falls by the standard of the first violin, which here is played with grace and a very Viennese charm by Anton Fietz. While his rubato sometimes strays into Strauss territory, the sheer warmth of the playing and its unfailing musicality make this a delight to the ear. They don't play Mozart like that any more, more's the pity!