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Men At Work - Welcome To America•Ca•Ca FLAC album

Tracklist

A1 No Restrictions
A2 I Can See It In Your Eyes
A3 Overkill
A4 People Just Love To Play With Words
A5 Shintaro
B1 Down Under
B2 Underground
B3 Helpless Automaton
B4 Who Can It Be Now?
B5 Mr. Entertainer

Companies, etc.

  • Published By – Larry Page Music, Inc.
  • Lacquer Cut At – Greg Lee Processing – L-12709

Credits

  • Cover – The Ted

Notes

Titles on labels:
A1) 52 Girls
A2) Let's Dance
A3) Rock And Roll
A4) He's In My Car
B1) Volcano Lava
B2) Phone Call
B3) Strobe Light
B4) Downtown
B5) Runaround

Barcode and Other Identifiers

  • Rights Society: BMI
  • Matrix / Runout (A-Side Label): 1282-A
  • Matrix / Runout (B-Side Label): 1282-B
  • Matrix / Runout (A-Side Runout Etching): Nom De Plume 1282-A L-12709
  • Matrix / Runout (B-Side Runout Etching): Nom De Plume 1282-B L-12709-X

Other versions

Category Artist Title (Format) Label Category Country Year
1282 Men At Work Welcome To America•Ca•Ca ‎(LP, Unofficial) Nom De Plume 1282 1983

Men At Work - Welcome To America•Ca•Ca FLAC album

Musician performer: Men At Work

Title: Welcome To America•Ca•Ca

Date of release: 1983

Style: Pop Rock

Genre: Rock / Pop

Size FLAC: 1949 mb

Rating: 4.8 / 5

Votes: 758

Other Formats: MPC MIDI AAC DXD RA WAV AU

Related to Men At Work - Welcome To America•Ca•Ca FLAC Albums

Rgia
This bootleg record was recorded live, most likely from an amplifier feed, and that's the real weakness of it. There's absolutely no sense of ambiance (audience noise can only be heard when Colin talks to fans), no natural room reverb, and some instrument lines are muffled or completely missing. There's a lot of snare drums, but no bass drum at all, and barely traces of bass guitar. Without rhythm base, the sound is tinny, anechoic, dislocated. The listener has to make up mentally what was lost in recording. For most listeners, except old-school fans, that would be too much to ask. Technically, LP surface looks like a sloppy DIY job, but it plays surprisingly clean, no issues with surface noise or clicks here. And, yes, track names on the label are complete nonsense (Volcano Lava in place of Down Under, etc.). That said, the performance itself is solid, Mr. Hay as good as it gets.
Rgia
This bootleg record was recorded live, most likely from an amplifier feed, and that's the real weakness of it. There's absolutely no sense of ambiance (audience noise can only be heard when Colin talks to fans), no natural room reverb, and some instrument lines are muffled or completely missing. There's a lot of snare drums, but no bass drum at all, and barely traces of bass guitar. Without rhythm base, the sound is tinny, anechoic, dislocated. The listener has to make up mentally what was lost in recording. For most listeners, except old-school fans, that would be too much to ask. Technically, LP surface looks like a sloppy DIY job, but it plays surprisingly clean, no issues with surface noise or clicks here. And, yes, track names on the label are complete nonsense (Volcano Lava in place of Down Under, etc.). That said, the performance itself is solid, Mr. Hay as good as it gets.