Clawfinger’s 1997 self-titled third album sees the band return to form after a rather average follow-up to their debut. While ‘Deaf Dumb Blind’ gave the Swedish rap-rockers some miner mainstream success and publicity, they mostly remained an obscure, unknown entity, especially with constantly shifting music trends. But then, since when has a band like Clawfinger cared about music trends?Packed full of aggressive, non-stop rapid-fire lyrics and energetic, grooving and pumping guitar riffs, ‘Clawfinger’ is a shot of adrenaline that doesn’t give up until the closing moments of the album. Tackling the usual issues of politics, socialism, relationships and religion, the band is relentless and completely unapologetic in getting their message across. And it’s this tongue-in-cheek attitude that makes them so endearing. The band has taken a huge step forward here in regards to song writing. Their lyrics are a lot more mature, and the music is much more polished, with more electronic and industrial influences, as well as Middle Eastern sounding phrases and female vocals too. Closing track ‘I Guess I’ll Never Know’ reflects on a friend who had committed suicide, and is incredibly sad and melancholic, with vocalist Zak Tell ditching the rapping for singing. Lines such as “with so much love around you I just wish you loved yourself” shows a group that have a lot more depth and meaning than simply lashing out at governments and social issues.With highlights including ‘Two Sides’, ‘I’m Your Life & Religion’, ‘Not Even You’, ‘Biggest & The Best’, ‘Chances’, ‘Wrong State of Mind’ and the aforementioned closing track, ‘Clawfinger’ sees the band back on top form with another dose of high-quality, hard-hitting rap metal.