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Lonnie Mack - The Wham Of That Memphis Man! FLAC album

Tracklist Hide Credits

A1 Wham!
Written-By – Lonnie Mack
2:12
A2 Where There's A Will
Written-By – L. Williams*
4:10
A3 The Bounce
Written-By – Fizer*, Lewis*, Ward*
2:05
A4 I'll Keep You Happy
Written-By – Hank Ballard
2:30
A5 Memphis
Written-By – Chuck Berry
2:30
B1 Baby What's Wrong
Written-By – Jimmy Reed
3:35
B2 Down And Out
Written-By – Lonnie Mack
2:37
B3 Satisfied
Written-By – Martha Carson
2:50
B4 Suzie-Q
Written-By – Hawkins*, Broadwater*, Lewis*
2:23
B5 Why
Written-By – Lonnie Mack
4:38
B6 Down In The Dumps
Written-By – Lonnie Mack
2:07

Companies, etc.

  • Pressed By – RCA Victor Custom Record Division
  • Published By – Carlson Music Co.
  • Published By – Edwood Music Co.
  • Published By – Conrad Music
  • Published By – Marc-Jean Music
  • Published By – J And C Publishing Co
  • Published By – Arc Music
  • Published By – Acuff-Rose

Credits

  • Backing Vocals [Uncredited] – The Charmaines (tracks: A2 to A4, B1, B3, B5)
  • Bass [Uncredited] – Wayne Bullock
  • Drums [Uncredited] – Ron Grayson
  • Guitar [Uncredited] – James Edmondson (tracks: A5, B6)
  • Guitar [Uncredited], Vocals [Uncredited] – Lonnie Mack
  • Liner Notes – Dale Stevens
  • Photography By [Back Cover] – Terry Armor
  • Photography By [Cover Photo] – Carlson Studio*
  • Piano [Uncredited] – Fred Stammerding
  • Producer – Carl Edmondson
  • Saxophone [Uncredited] – Irv Russotto (tracks: A1 to A4, B1 to B5), Marv Lieberman (tracks: A1 to A4, B1 to B5)
  • Tenor Saxophone [Uncredited], Maracas [Uncredited] – Donald Henry (tracks: A5, B6)

Notes

Pressed by RCA Victor Custom Record Dept.

Reverse tip-on sleeve, no printing on spine
Pictured on back cover: (left to right) Marv Lieberman, Ron Grayson, Wayne Bullock, Truman Fields, Irv Russotto, and Lonnie Mack

Barcode and Other Identifiers

  • Rights Society: BMI
  • Matrix / Runout (Matrix, Side A): PR4M-3452
  • Matrix / Runout (Matrix, Side B): PR4M-3453
  • Matrix / Runout (Runout, Side A): PR4M-3452-1B Ω
  • Matrix / Runout (Runout, Side B): PR4M-3453-1B Ω

Other versions

Category Artist Title (Format) Label Category Country Year
AL 3903 Lonnie Mack The Wham Of That Memphis Man! ‎(LP, Album, RE) Alligator Records AL 3903 Canada 1987
CDCHM 1134, F-1014 Lonnie Mack The Wham Of That Memphis Man! ‎(CD, Album, RM) Ace, Fraternity Records CDCHM 1134, F-1014 Europe 2016
EKS-74077 Lonnie Mack The Wham Of That Memphis Man (For Collectors Only) ‎(LP, Album, RE) Elektra EKS-74077 US 1970
SF-1014 Lonnie Mack The Wham Of That Memphis Man! ‎(LP, Album) Fraternity Records SF-1014 US 1963
WG-B-1763 Lonnie Mack The Wham Of That Memphis Man! ‎(LP, Album) W & G WG-B-1763 Australia 1964


Lonnie Mack - The Wham Of That Memphis Man! FLAC album

Musician performer: Lonnie Mack

Title: The Wham Of That Memphis Man!

Country: Canada

Date of release: 1963

Style: Rhythm & Blues, Rock & Roll, Gospel

Genre: Rock / Blues

Size FLAC: 1262 mb

Rating: 4.4 / 5

Votes: 961

Other Formats: DMF VOC AA DXD RA MPC AC3

Related to Lonnie Mack - The Wham Of That Memphis Man! FLAC Albums

Grillador
Essential! Stereo version on Fraternity with deep groove, cat. no. SF 1014 is available and a stunner. John Peel once stated that he was using „ Baby what’s wrong?“ to impress a lassie with the effects of stereo. Way back then, in 1964 Lonnie Mack was an amazing singer and guitarist, using a Gibson Flying V plugged into an amp with a rotating Leslie Speaker generally employed by musicians applying their craft to a B3 Hammond Organ. Thus Lonnie could increase his intense and searing tone, like an R'n'B version of Dick Dale. His sole problem appears to have been at this very climax of his artistic achievements, that he might have been more successful had he been either black (possibly also the problem of Ella Mae Morse ten years earlier and Mitch Ryder in a few years to come) or British: it was not appropriate for a white US American artist to sound that tormented and urgent. „Why?“ is a song, where you may ask yourself: Is that lad going round the bend? As if there were but a small dividing line between forsaken love and lunacy. And we all know that is certainly NOT the case. And Why? is a good song as well. If there was a chart for records unfairly forgotten, this might deserve being considered for inclusion. For all lovers of Magic Sam, Chuck Berry, Otis Rush, Howlin’ Wolf and Jimi Hendrix – all the major league blues welders and belters at that time. Like Mike Bloomfield and Paul Butterfield rolled in one, but a couple years before East/West came out.
Grillador
Essential! Stereo version on Fraternity with deep groove, cat. no. SF 1014 is available and a stunner. John Peel once stated that he was using „ Baby what’s wrong?“ to impress a lassie with the effects of stereo. Way back then, in 1964 Lonnie Mack was an amazing singer and guitarist, using a Gibson Flying V plugged into an amp with a rotating Leslie Speaker generally employed by musicians applying their craft to a B3 Hammond Organ. Thus Lonnie could increase his intense and searing tone, like an R'n'B version of Dick Dale. His sole problem appears to have been at this very climax of his artistic achievements, that he might have been more successful had he been either black (possibly also the problem of Ella Mae Morse ten years earlier and Mitch Ryder in a few years to come) or British: it was not appropriate for a white US American artist to sound that tormented and urgent. „Why?“ is a song, where you may ask yourself: Is that lad going round the bend? As if there were but a small dividing line between forsaken love and lunacy. And we all know that is certainly NOT the case. And Why? is a good song as well. If there was a chart for records unfairly forgotten, this might deserve being considered for inclusion. For all lovers of Magic Sam, Chuck Berry, Otis Rush, Howlin’ Wolf and Jimi Hendrix – all the major league blues welders and belters at that time. Like Mike Bloomfield and Paul Butterfield rolled in one, but a couple years before East/West came out.