Tracklist
| Suite Nr. 1 In G, BWV 1007 | ||
| 1 | Prelude | 2:43 |
| 2 | Allemande | 5:15 |
| 3 | Courante | 2:41 |
| 4 | Sarabande | 2:30 |
| 5 | Menuet I & II | 3:14 |
| 6 | Gigue | 1:32 |
| Suite Nr. 2 In d, BWV 1008 | ||
| 7 | Prelude | 3:53 |
| 8 | Allemande | 3:36 |
| 9 | Courante | 2:56 |
| 10 | Sarabande | 3:58 |
| 11 | Menuet I & II | 2:32 |
| 12 | Gigue | 3:04 |
| Suite Nr. 3 In C, BWV 1009 | ||
| 13 | Prelude | 3:23 |
| 14 | Allemande | 3:39 |
| 15 | Courante | 3:34 |
| 16 | Sarabande | 4:11 |
| 17 | Bourée I & II | 2:51 |
| 18 | Gigue | 3:47 |
Companies, etc.
- Recorded At – Camino Music Amsterdam
Credits
- Acoustic Guitar [Fifth Bass Guitar] – Esther Steenbergen
- Composed By – Johann Sebastian Bach
- Design – De Hoogmoed
- Edited By [Digital] – Bernhard Joosten, Esther Steenbergen
- Engineer [Recording] – Jaime Rodriguez
- Engineer, Mixed By – Bernhard Joosten
- Photography By [Esther Steenbergen] – Serge Henri Valcke
- Recording Supervisor – Olga Franssen
- Sleeve Notes – Esther Steenbergen
- Technician [Instrument Builder] – Otto Vowinkel
- Transcription By – Esther Steenbergen
Notes
Sino Produkties, Amsterdam (e-mail: [email protected])Recording date: 6 & 8 December 2000. Recording Studio: Camino Music Amsterdam.
Total playing time: 60:19. The liner notes are in English only.
The CD is sheltered in a foldout 6-panel Digipack. Not issued with a booklet.
The fifth-bass guitar sounds a perfect fifth lower than a standard classical guitar.
"For the transcription I used the violin version of 'Bach, The Fencing Master' by Anner Bijlsma, based on Anna Magdalena Bach's manuscript in the Reinhardt edition, as well as 'Bach, Sechs Suiten für Violoncello solo, Urtext', Edition Peters, nr. 9054".
Barcode and Other Identifiers
- Barcode: 8 713897 900071
- Rights Society: BIEM / STEMRA
- Matrix / Runout: SINO 01-02 P+O-52840-A1 06-01
- Mastering SID Code: IFPI L961
- Mould SID Code: IFPI 3JO1
- Other: ISBN 90-70195-01-1
