The band was put up in a New York studio with Julie Andrews’ producer and James Brown’s horn section and emerged with one song. The song is a little awkward mish-mash that sounds like it was recorded by three different bands who couldn’t hear one another. But that didn’t stop Milton Bradley from thinking they had the Next Big Thing on their hands. The Combinations, although credited on the 45 single that came with the ball, are not even mentioned on this LP. Instead, the named artist is a nonexistent band called The Bumpers.