"Τα πέντε κομμάτια είναι μια αλληλουχία συναισθηματικων καταστάσεων ύστερα από ένα προσωπικό σοκ: Fear, Confusion, Realization, Acceptance, Deliverance. Μια απόπειρα αυτοανάλυσης. Μια εφιαλτική διαδρομή απορρύθμισης και ανασφάλειας, που κορυφώνεται στο τελευταίο track όπου τα σπασμένα κομμάτια σιγά-σιγά μαζεύονται, η δομή και η αρμονία επανέρχονται και τα συναισθήματα γίνονται οριακά θετικά."

From Progarchives.com, the ultimate progressive rock music website:"Yes it's not generic but ZENERIK! Their first sensory theatre "Yenesis" features five mind operations. Our inner mind space would be invaded step by step, firstly by fear, followed by confusion, and we would get realization, acceptance, and finally our mind be operated with deliverance from the real world by their psychedelic production. Their vision for the audience is not only complicated but also positive in an auditory manner ... this fact can be understood when we listen to each of their nervous sensors with every song title.Along with comfortable saxophone vibes, randomized fearful drumming and guitar chopping seasoned with weird electronic mutations rush forward. This extremely phenomenal curtain call would build avantgarde jazz rock structure up thoroughly. Some of their avantgarde jazz rock phrases do not have enough novelty indeed but electronic Kraut-y eccentricity with crazy wind instrumental scatter would give them definite innovation ... We can hear this exaggerated soundscape confusion mixed altogether via the second track "Confusion", that obviously has a novel movement.The last "Deliverance" has definite philosophical point of view ... dreamy melodic lines based upon steady deep beats drive the audience into the fantasia. A bombastic storytelling generated with their excellent play and well matured composition would get in top gear. A killer creation really. "

iO Pages (Progressive music dutch magazine):"Although I’ve never heard of the label “krautjazz”, that the Greek band Zenerik sticks on its music, before, it covers the content in a nice way. What they present sounds like the old work of Can and more like the ‘krautige’ (spicy herbal) German pioniers. And sometimes a bit like experimental jazz-rock as it was used to be made by Magma followers as Zao. The frequent use of the flute reminds you of the older work of Paul Horn. The amount of melodies stays limited, but the scratchy sounds are not that annoying to lead to bleeding ears. However, expect an uncomfortable sound session in the spirit of the misty seventies, with a somewhat ‘trippy’ effect. This album is quite an amusing CD for the adventurous listener, but it’s absolutely not suitable for a family birthday party."

Ptolemaic Terrascope''Greek combo Zenerik cook up an avant-garde blend of minimalist jazz/psychedelia and the resulting dish is a flavoursome if perhaps acquired taster of Gong bashing out Eric Dolphy’s free jazz (anti) classic “Out To Lunch”. If that sounds a little weird then it’s because it probably is but it also works, especially “Deliverance”, the most fully formed of the five main entities here and which grooves along beautifully with a mellowing lope, the various reeds playing to subtle and quite mesmerising effect over a steady rhythm, supplemented by some gentle moog and melodic guitar. The CD contains three bonus tracks – or to be more precise, three versions of a composition entitled “Fear”, all good.'' (Ian Fraser)