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De Fabriek - Made In Germany FLAC album

De Fabriek - Made In Germany FLAC album

Tracklist

1.1 Made In Germany
1.2 Wollt Ihr
1.3 Alles Klar
1.4 Schneetanz
1.5 Kein Spass In Zwolle
1.6 Nachtschatten
1.7 Allein
1.8 1977-1991 Wie Der Wayne

Companies, etc.

  • Pressed By – P+O Pallas – 8876

Notes

Comes in white paper bag. Limited to 500 copies.

This album has one single track. The tracklisting on the back sleeve gives no information about the starting times of the tracks.
Total playing time: 75:00 min.

Barcode and Other Identifiers

  • Matrix / Runout: CD 2 P+O-8876-A2 05-91

De Fabriek - Made In Germany FLAC album

Musician performer: De Fabriek

Title: Made In Germany

Date of release: 1991

Style: Experimental

Genre: Electronic

Size FLAC: 1257 mb

Rating: 4.3 / 5

Votes: 881

Other Formats: TTA AIFF MP4 APE MPC ADX WAV

De Fabriek Experimental 1991

Related to De Fabriek - Made In Germany FLAC Albums

Sorryyy
This CD is a limited edition of only 500 copies and comes in it’s own little printed paper bag. The album is split into eight different titles, although it appears as just one long track on the Disc, yet a complex, ever changing track which suggests not just eight, but eighty separate slices, some lasting but a bare instant, some stretching out into long, delicious strands of composed & decomposed noise. To document the whole album from piece to piece would be folly, but I’ll give you the briefest of descriptions below. It begins as a shambolic merge of pre-recorded music including a snatch of “Das Lied Der Deutschen" before plunging full-tilt into DE FABRIEK’s own tense noise - acoustic guitar rumble with feedback Pan Pipes form into sudden rhythm, then dissolve into ambient sound again, before bursting once more into rhythm. Tunes struggle for liberation from Industrial loop tapes, only to be sucked back into the maelstrom, before it too decays into bizarre cadence again. This it does again and again, visiting normality before plunging off at some unheard-of, or purely theoretical angle, into Industrial, into Concrete Music, into spoken voice, changing, mutating, transforming with an apparent inability to settle. Now and then it will cough up a formed song, simplistic, almost mantra-like in it’s repetition, then yet again it dives into the cool pool of strangeness to emerge yet again with a malformed piece of music. In one part voices rise through the chaos music in mad laughter, intent on disturbing the listener who might have lapsed into thought. On and on it goes in it’s wonderful Chameleonic, Serpentine way turninig from great grey noise to Technicolour beat.I cannot praise this album enough. It’s great to listen to, and there's so much in it, you can keep playing it and will always find something new (I hope). If you took the first couple of DOME albums, genetically altered them into something similar but essentially better, you might come up with something as wonderful as this. There are only 500 copies - you cannot go through life feeling complete without owning a copy of this. See under DE FABRIEK for a complete list of their releases. If their back catalogue is half as good as this, then start collecting the works of DE FABRIEK.Originally reviewed for Soft Watch.
Sorryyy
This CD is a limited edition of only 500 copies and comes in it’s own little printed paper bag. The album is split into eight different titles, although it appears as just one long track on the Disc, yet a complex, ever changing track which suggests not just eight, but eighty separate slices, some lasting but a bare instant, some stretching out into long, delicious strands of composed & decomposed noise. To document the whole album from piece to piece would be folly, but I’ll give you the briefest of descriptions below. It begins as a shambolic merge of pre-recorded music including a snatch of “Das Lied Der Deutschen" before plunging full-tilt into DE FABRIEK’s own tense noise - acoustic guitar rumble with feedback Pan Pipes form into sudden rhythm, then dissolve into ambient sound again, before bursting once more into rhythm. Tunes struggle for liberation from Industrial loop tapes, only to be sucked back into the maelstrom, before it too decays into bizarre cadence again. This it does again and again, visiting normality before plunging off at some unheard-of, or purely theoretical angle, into Industrial, into Concrete Music, into spoken voice, changing, mutating, transforming with an apparent inability to settle. Now and then it will cough up a formed song, simplistic, almost mantra-like in it’s repetition, then yet again it dives into the cool pool of strangeness to emerge yet again with a malformed piece of music. In one part voices rise through the chaos music in mad laughter, intent on disturbing the listener who might have lapsed into thought. On and on it goes in it’s wonderful Chameleonic, Serpentine way turninig from great grey noise to Technicolour beat.I cannot praise this album enough. It’s great to listen to, and there's so much in it, you can keep playing it and will always find something new (I hope). If you took the first couple of DOME albums, genetically altered them into something similar but essentially better, you might come up with something as wonderful as this. There are only 500 copies - you cannot go through life feeling complete without owning a copy of this. See under DE FABRIEK for a complete list of their releases. If their back catalogue is half as good as this, then start collecting the works of DE FABRIEK.Originally reviewed for Soft Watch.