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Cornucopia - Full Horn FLAC album

Cornucopia - Full Horn FLAC album

Tracklist Hide Credits

Day Of A Day-Dream Believer (19:50)
A.1 Humanoid Robot Show
A.2 Hope - Part One
A.3 Desillusion
A.4 Hope - Part Two
A.5 Death Of A Clown
A.6 D-Daily Review
A.7 Night, Night - Mankind's Motor Dream
A.8 The Sound Of National Caughing
B1 Morning Sun (Version 127) (For The Charts)
Engineer – Thomas Kukuck
 3:07
B2 Spots On You, Kids 12:37
B3 And The Madness... 4:05

Companies, etc.

  • Made By – Metronome Records GmbH
  • Recorded At – Windrose-Dumont-Time Studios
  • Lacquer Cut At – Tonstudio Pfanz

Credits

  • Bass Guitar, Vocals – Wolfgang Bartl (Elliott Kietz)*
  • Composed By – Christoph Hardwig
  • Design – Cornucopia-Workshop
  • Drums, Percussion, Twelve-String Guitar – Wolfgang Gaudes (Plombe)*
  • Effects, Percussion, Voice – Harry Koch (Hurry Harry)*
  • Engineer – Horst Grosse (tracks: A.1 to A.8, B2, B3)
  • Graphics [Graphreak] – Herbert Wieser
  • Keyboards, Guitar, Vocals – Christoph Hardwig (Christophorus II)*
  • Lacquer Cut By – PF*
  • Lead Guitar, Acoustic Guitar, Vocals – Kai Henrik Möller (A-Bomber)*
  • Lead Vocals, Voice – Wolfgang Kause (Gurker The Goat)*
  • Music By – Cornucopia
  • Percussion – Rudy Holzhauer (Rüdiger)*
  • Photography By [Photographreak] – Reinhard Von Kroge
  • Producer – Jochen Petersen
  • Saxophone, Flute, Guitar – Jochen Peterson (Where's The Cake?)*
  • Words By – Cornucopia

Notes

Recorded at Windrose-DuMont Time Studio Hamburg, September 1972 and February 1973.

Made in Germany by Metronome Records GmbH

First cat.nr. on the label, second on the cover.
First pressing with ''Metronome'' wording below ''Brain'' on the label.

Track position on side 1 record labels are: 1, 2, 3, 4, 5, 7, 8, 9

Barcode and Other Identifiers

  • Rights Society: gema
  • Matrix / Runout (Side A runout, etched): C 1 st-1030-A" 0664.312 S1-2 PF
  • Matrix / Runout (Side B runout, etched): B 1 st-1030-B 0664.312 S2 PF

Other versions

Category Artist Title (Format) Label Category Country Year
941061 Cornucopia Full Horn ‎(CD, Album, Unofficial) Germanofon 941061 1995
PMS 7049-WP Cornucopia Full Horn ‎(CD, Album, RE) Repertoire Records, Brain PMS 7049-WP Germany 1997
610 Cornucopia Full Horn ‎(LP, Gat) Sabado Som 610 Brazil 1974
1030 Cornucopia Full Horn ‎(LP, Album, RE, Unofficial) Brain , Metronome 1030 Unknown
1030 Cornucopia Full Horn ‎(LP, Album, RE, Unofficial) Brain 1030 Germany Unknown


Cornucopia - Full Horn FLAC album

Musician performer: Cornucopia

Title: Full Horn

Date of release: 1973

Style: Krautrock, Prog Rock

Genre: Rock

Size FLAC: 1293 mb

Rating: 4.2 / 5

Votes: 737

Other Formats: APE RA AHX AC3 VQF AA MMF

Cornucopia Krautrock Prog Rock 1973

Related to Cornucopia - Full Horn FLAC Albums

Agrainel
What differences are their between the original release and the bootleg vinyl?
Agrainel
What differences are their between the original release and the bootleg vinyl?
Abuseyourdna
CORNUCOPIA FULL HORN - actual cover creditsWolfgang Kause (Gurker The Goat): lead vocal, voicesWolfgang Bartl (Elliott Kietz): bass guitar, vocalChristoph Hardwig (Christopherus II): keyboards, guitar, vocalWolfgang Gaudes (Plombe): drums, percussion, 12-string guitarKai Henrik Möller (A-Bomber): lead guitar, acoustic guitar, vocalHarry Koch (Hurry Harry): effects, percussion, voiceRudy Holzhauer (Rüdiger): percussion, troot& guestJochen Petersen (Where's the cake?): saxes, flute, guitarComposer Christoph HardwigWods & Music CornucopiaProduced by Jochen PetersenRecorded at Windrose-Dumont/Time Studios, Hamburg - Sept.'72 & Febr.'73Recording engineer Horst Grosse; Thomas Kuckuck (Morning Sun)Design Cornucopia-Workshop (graphreak Herbert Wieser / photographreak Reinhard von Kroge)REVIEWAgain, a very experimental band, this time utilizing a fusion of soft-to-heavy rock with a cosmic/Kollektiv approach.The first track, Day Of A Daydream Believer, is an epic which draws (in parts) influences of early Message and Nine Days Wonder. However, the vocal treatments of one part resemble White Noise on their AN ELECTRIC STORM album. The second track Morning Sun is according to the title "for the charts". This is followed by Spots On You Kids, which starts off with the sounds of a fairground before build-up along the same lines as the opening track. The closer, And The Madness, is (as the title suggests) mad, with a jerky rhythm and hooters blasting off in the background ending nice and gently with a piece that could be Eroc (when he's being sane, that is).A truly amazing album, highly recommended to people who like a little humour mixed in with their music.by Alan & Steve Freeman, first published in Face Out ca. 1978-79
Abuseyourdna
CORNUCOPIA FULL HORN - actual cover creditsWolfgang Kause (Gurker The Goat): lead vocal, voicesWolfgang Bartl (Elliott Kietz): bass guitar, vocalChristoph Hardwig (Christopherus II): keyboards, guitar, vocalWolfgang Gaudes (Plombe): drums, percussion, 12-string guitarKai Henrik Möller (A-Bomber): lead guitar, acoustic guitar, vocalHarry Koch (Hurry Harry): effects, percussion, voiceRudy Holzhauer (Rüdiger): percussion, troot& guestJochen Petersen (Where's the cake?): saxes, flute, guitarComposer Christoph HardwigWods & Music CornucopiaProduced by Jochen PetersenRecorded at Windrose-Dumont/Time Studios, Hamburg - Sept.'72 & Febr.'73Recording engineer Horst Grosse; Thomas Kuckuck (Morning Sun)Design Cornucopia-Workshop (graphreak Herbert Wieser / photographreak Reinhard von Kroge)REVIEWAgain, a very experimental band, this time utilizing a fusion of soft-to-heavy rock with a cosmic/Kollektiv approach.The first track, Day Of A Daydream Believer, is an epic which draws (in parts) influences of early Message and Nine Days Wonder. However, the vocal treatments of one part resemble White Noise on their AN ELECTRIC STORM album. The second track Morning Sun is according to the title "for the charts". This is followed by Spots On You Kids, which starts off with the sounds of a fairground before build-up along the same lines as the opening track. The closer, And The Madness, is (as the title suggests) mad, with a jerky rhythm and hooters blasting off in the background ending nice and gently with a piece that could be Eroc (when he's being sane, that is).A truly amazing album, highly recommended to people who like a little humour mixed in with their music.by Alan & Steve Freeman, first published in Face Out ca. 1978-79