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Rei Harakami - Opaq FLAC album

Tracklist

Glimglim 7:23
Chromatic Cliff 3:34
Double Flat 5:10
300ml (Milk) 5:21
Triple Flat 6:17
Poof 3:41
V 3:14
On (Ian O'Brien Mix) 6:26
Double Flat (Max 404 Mix) 6:24

Versions

Category Artist Title (Format) Label Category Country Year
MKCS-1019 Rei Harakami Opa*q ‎(CD, Album) Sublime Records MKCS-1019 Japan 1999
SBLCD5032 Rei Harakami Opa*q ‎(CD, Album) Sublime Records SBLCD5032 UK 1999
IDCS-1019 Rei Harakami Opa*q ‎(CD, Album, RE, RM) Sublime Records IDCS-1019 Japan 2005
RINC007 Rei Harakami Opa*q ‎(CD, Album, RE, UHQ) Rings RINC007 Japan 2015


Rei Harakami - Opaq FLAC album

Musician performer: Rei Harakami

Title: Opaq

Country: Japan

Date of release: 1999

Style: Leftfield, Abstract, Techno

Genre: Electronic

Size FLAC: 1588 mb

Rating: 4.5 / 5

Votes: 364

Other Formats: DTS AA WAV MP2 AU MMF MOD

Related to Rei Harakami - Opaq FLAC Albums

Ygglune
Great album with a very interesting rich diverse sound that will please anyone into tech music may it be Techno, House, Tech-House, Breaks...If haven't bought this album yet! Do get the re-issued on Ring label as it has two extra tracks including the excellent last 10(+)m track.
Ygglune
Great album with a very interesting rich diverse sound that will please anyone into tech music may it be Techno, House, Tech-House, Breaks...If haven't bought this album yet! Do get the re-issued on Ring label as it has two extra tracks including the excellent last 10(+)m track.
Arar
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Arar
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Malahelm
There’s techno, and then there’s Rei Harakami. With his stunning blend of jazz, tech-house and Detroit, Harakami’s work on Opa*q avoids predictable chord progressions and finds its own melodic paths. “Glimglim” is light and quick on its feet, while “Chromatic Cliff” hums beatlessly with sharp tones. “Double Flat” shows its rhythmic and harmonic complexity without losing its way, and “Triple Flat” speeds along a futuristic racetrack. “300 ml (Milk)” and “Poof” are more sedate, but no less interesting. Two like-minded musicians, Ian O’Brien and Max 404, lend helping hands to “On” and “Double Flat,” respectively, with unsurprisingly marvelous results. Opaque? This album? Hardly. It’s crystal-clear wonderful.
Malahelm
There’s techno, and then there’s Rei Harakami. With his stunning blend of jazz, tech-house and Detroit, Harakami’s work on Opa*q avoids predictable chord progressions and finds its own melodic paths. “Glimglim” is light and quick on its feet, while “Chromatic Cliff” hums beatlessly with sharp tones. “Double Flat” shows its rhythmic and harmonic complexity without losing its way, and “Triple Flat” speeds along a futuristic racetrack. “300 ml (Milk)” and “Poof” are more sedate, but no less interesting. Two like-minded musicians, Ian O’Brien and Max 404, lend helping hands to “On” and “Double Flat,” respectively, with unsurprisingly marvelous results. Opaque? This album? Hardly. It’s crystal-clear wonderful.
watchman
Wow. You like IDM and the vibe of electric piano pieces? This is a synergy of so much i can't do it justice. Really sharp production, sensitive composition, choice sound-sculpting. Mellow idm with forays into houseyness. Not a bit cliched. Not a 'speck of cereal'. Fresh n krispy ideas. Thank you.
watchman
Wow. You like IDM and the vibe of electric piano pieces? This is a synergy of so much i can't do it justice. Really sharp production, sensitive composition, choice sound-sculpting. Mellow idm with forays into houseyness. Not a bit cliched. Not a 'speck of cereal'. Fresh n krispy ideas. Thank you.
Grosho
Most of the tracks have really funny bent melodies and crazy rhythms, except "chromatic cliff", which is completely beatless, and "V" which is a very noisy sound layering. My favorite track is "triple flat", which has nice drum & bass beats in it. The last two tracks are remixes by others, more straight and IMHO don't fit to the rest of the tracks. Except for "V" and the remixes I like this album very much and makes me curious about other productions of Rei Harakami.
Grosho
Most of the tracks have really funny bent melodies and crazy rhythms, except "chromatic cliff", which is completely beatless, and "V" which is a very noisy sound layering. My favorite track is "triple flat", which has nice drum & bass beats in it. The last two tracks are remixes by others, more straight and IMHO don't fit to the rest of the tracks. Except for "V" and the remixes I like this album very much and makes me curious about other productions of Rei Harakami.