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Ten Years After - Ten Years After FLAC album

Ten Years After - Ten Years After FLAC album

Tracklist Hide Credits

A1 I Want To Know
Written-By – McLeod*
 2:06
A2 I Can't Keep From Crying, Sometimes
Written-By – Kooper*
 5:23
A3 Adventures Of A Young Organ
Written-By – Lee*, Churchill*
 2:29
A4 Spoonful
Written-By – Dixon*
 5:49
A5 Losing The Dogs
Written-By – Lee*, Dudgeon*
 3:07
B1 Feel It For Me
Written-By – Lee*
 2:38
B2 Love Until I Die
Written-By – Lee*
 2:03
B3 Don't Want You, Woman
Written-By – Lee*
 2:34
B4 Help Me
Written-By – Bass*, Williamson*
 9:45

Companies, etc.

  • Mastered At – Bell Sound Studios
  • Pressed By – Monarch Record Mfg. Co. – Δ11229
  • Copyright (c) – The Decca Record Company Limited

Credits

  • Bass – Leo Lyons
  • Drums – Ric Lee
  • Engineer – Gus Dudgeon
  • Harmonica – Alvin Lee (tracks: B1)
  • Lead Guitar, Vocals – Alvin Lee
  • Liner Notes – John C. Gee
  • Organ – Chick*
  • Piano – Chick* (tracks: A5)
  • Producer – Gus Dudgeon, Mike Vernon
  • Tambourine – Gus Dudgeon (tracks: A5)

Notes

© 1967, The Decca Record Company Limited, London

Original Monarch Pressing; variant label [boxed stereo]

1st Category sleeve; 2nd labels

Barcode and Other Identifiers

  • Matrix / Runout (A Side Label): ZAL 8050
  • Matrix / Runout (B Side Label): ZAL 8051
  • Matrix / Runout (A Side Stamped, except "∆11229" Etch): ZAL 8050-1B Bell Sound MR ∆11229
  • Matrix / Runout (B Side Stamped, except "∆11229-X" Etch): ZAL 8051-1B Bell Sound MR ∆11229-X

Other versions

Category Artist Title (Format) Label Category Country Year
DML 1015 Ten Years After Ten Years After ‎(LP, Album, Mono) Deram DML 1015 UK 1967
291030, 291 030 Ten Years After Ten Years After ‎(LP, Album, RE) Deram, Deram 291030, 291 030 France Unknown
140.002 Ten Years After Ten Years After ‎(LP, Album, RE) Deram 140.002 France 1968
DES 18009 Ten Years After Ten Years After ‎(LP, Album) Deram DES 18009 US 1968
LAX 127 Ten Years After Ten Years After ‎(LP, Album) Deram LAX 127 Japan 1978


Ten Years After - Ten Years After FLAC album

Musician performer: Ten Years After

Title: Ten Years After

Country: UK

Date of release: 1968

Style: Blues Rock, Psychedelic Rock

Genre: Rock

Size FLAC: 1176 mb

Rating: 4.4 / 5

Votes: 757

Other Formats: ADX MPC VQF RA MP1 ASF MP2

Ten Years After Blues Rock Psychedelic Rock 1968 UK

Related to Ten Years After - Ten Years After FLAC Albums

Dozilkree
Primarily remembered for their stage splintering version of “Going Home” preformed at Woodstock, and often lumped in with the likes of The Yardbirds, Ten Years After lived in world all their own, with this, their self titled album “Ten Years After” hitting the shelves in 1967, being their least known, though probably their best and most consistent adventure into the British blues/rock genre ... and my first adventure into lies and deception. For a week I’d laid out and reevaluated the clothes I was gonna wear to the show. For a week I’d told my parents I was gonna be baby sitting that Saturday night in October [the 25th of 1968]. For a week I’d studied a map of Philadelphia, and how to get to The Electric Factory, a converted tire factory on the very wrong side of town, now painted in day-glow designs, black-lights that caused everything to glow, a riser in the middle of the venue from which a liquid lightshow was projected onto the wall of a small stage, and bench seating for no more than a couple hundred people. This was the first tour of America for Ten Years After, and they opened for the Jeff Beck Group with Rod Stewart, whom I’d never heard of, yet were laid to waste by Alvin Lee, his magical voice, along with his guitar and organ driven band. I remember Alvin walking on stage in a pair of clogs [something else I’d never seen], slapping the stash bag he wore on his belt saying, “We’ve been paid,” slipped out of his shoes, and stole the night.With an album cover that embraced the psychedelic illusions of the day, their music was anything but. Ten Years after was tight and smoothly frenetic, they’d taken the best values of American blues and reinvented them with a solid sonic pallet of rock n’ roll that often encompassed a swinging jazz feel; and actually seeming like they were having fun. Their songs sounded like they were relaying a truth, as if they were preaching from on high, with no need to convert the smiling upturned faces. This wasn’t the thematic music the band became known for, this album had substance, body and soul ... building and ebbing like a tidal tide at the beach. Often the songs were slow, as if existing for a purpose, and when you hear “Spoonful,” you’ll know exactly what I mean.Of course this is the point where I try and convince you to give this gem a listen, but I won’t, I’m happy to sit here feeling that I’m part of the in-crowd, knowing something that others don’t, and that sits just fine with me.Review by Jenell Kesler
Dozilkree
Primarily remembered for their stage splintering version of “Going Home” preformed at Woodstock, and often lumped in with the likes of The Yardbirds, Ten Years After lived in world all their own, with this, their self titled album “Ten Years After” hitting the shelves in 1967, being their least known, though probably their best and most consistent adventure into the British blues/rock genre ... and my first adventure into lies and deception. For a week I’d laid out and reevaluated the clothes I was gonna wear to the show. For a week I’d told my parents I was gonna be baby sitting that Saturday night in October [the 25th of 1968]. For a week I’d studied a map of Philadelphia, and how to get to The Electric Factory, a converted tire factory on the very wrong side of town, now painted in day-glow designs, black-lights that caused everything to glow, a riser in the middle of the venue from which a liquid lightshow was projected onto the wall of a small stage, and bench seating for no more than a couple hundred people. This was the first tour of America for Ten Years After, and they opened for the Jeff Beck Group with Rod Stewart, whom I’d never heard of, yet were laid to waste by Alvin Lee, his magical voice, along with his guitar and organ driven band. I remember Alvin walking on stage in a pair of clogs [something else I’d never seen], slapping the stash bag he wore on his belt saying, “We’ve been paid,” slipped out of his shoes, and stole the night.With an album cover that embraced the psychedelic illusions of the day, their music was anything but. Ten Years after was tight and smoothly frenetic, they’d taken the best values of American blues and reinvented them with a solid sonic pallet of rock n’ roll that often encompassed a swinging jazz feel; and actually seeming like they were having fun. Their songs sounded like they were relaying a truth, as if they were preaching from on high, with no need to convert the smiling upturned faces. This wasn’t the thematic music the band became known for, this album had substance, body and soul ... building and ebbing like a tidal tide at the beach. Often the songs were slow, as if existing for a purpose, and when you hear “Spoonful,” you’ll know exactly what I mean.Of course this is the point where I try and convince you to give this gem a listen, but I won’t, I’m happy to sit here feeling that I’m part of the in-crowd, knowing something that others don’t, and that sits just fine with me.Review by Jenell Kesler