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DJ Trace - 23° From Vertical FLAC album

DJ Trace - 23° From Vertical FLAC album

Tracklist

A –Kemal Mutationz III
B –Matrix Landslide
C –Stakka & Skynet Black Monday
D –Ed Rush, Optical* & Rymetyme* Cannibal Run
E –Kemal & Rob Data* The Encrypter
F –Black Sun Empire Firing Squad
G –Future Cut Uprock
H –Marcus Intalex & S.T. Files* Warp 2
I –DJ Trace Syntax
J –Technical Itch & Decoder Abduction
K –The Invaderz* Life Support
L –Black Sun Empire Radiation

Companies, etc.

  • Pressed By – Damont Audio
  • Distributed By – Vinyl Distribution
  • Mastered At – masterpiece

Credits

  • Artwork By, Design – Tim Ellis
  • Mastered By – Neil*
  • Presenter, Mixed By [Mixed And Conceived By] – DJ Trace

Barcode and Other Identifiers

  • Barcode (Text): 5 023903 213761
  • Barcode: 5023903213761

Other versions

Category Artist Title (Format) Label Category Country Year
DSCI4 LP001IJ Trace* / Technical Itch & Decoder Trace* / Technical Itch & Decoder - 23° From Vertical ‎(12") DSCI4 DSCI4 LP001IJ UK 2003
BBSCD 002 DJ Trace 23° From Vertical ‎(CD, Mixed) Breakbeat Science Recordings BBSCD 002 US 2001
DSCI4 LP001CD Stakka & Skynet / Ed Rush, Optical* & Rymetyme* Stakka & Skynet / Ed Rush, Optical* & Rymetyme* - 23° From Vertical ‎(12") DSCI4 DSCI4 LP001CD UK 2003
DSCI4 LP001EF Kemal & Rob Data* / Black Sun Empire Kemal & Rob Data* / Black Sun Empire - 23° From Vertical ‎(12") DSCI4 DSCI4 LP001EF UK 2003
DSCI4 LP001GH Future Cut / Marcus Intalex & ST Files Future Cut / Marcus Intalex & ST Files - 23° From Vertical ‎(12") DSCI4 DSCI4 LP001GH UK 2003


DJ Trace - 23° From Vertical FLAC album

Musician performer: DJ Trace

Title: 23° From Vertical

Country: UK

Date of release: 2001

Style: Drum n Bass

Genre: Electronic

Size FLAC: 1776 mb

Rating: 4.2 / 5

Votes: 734

Other Formats: AUD ASF MP3 RA MP2 VOX DTS

DJ Trace Drum n Bass 2001 UK

Related to DJ Trace - 23° From Vertical FLAC Albums

Foiuost
Until the digital world affectively opened the flood gates to endless remixes (have a look at the 2017 remix release for Marvelous Cains Hitman remixes if you can have a spare few hours!), the vinyl scene at least had a bit more restraint. Yet somehow Mutationz seems to have gone through about 10 remixes before the new millienieum was in more than its infancy. Ironically despite Kemals 'Munitionz III' remix coming only one release after another 4 remixes (including one from Konflict), its probably the best track on this LP. Personally I dont think thats saying much (no idea what JonnyMassacre has been smoking to think this at any time could be considered best album of all time), but hey each to their own.
Foiuost
Until the digital world affectively opened the flood gates to endless remixes (have a look at the 2017 remix release for Marvelous Cains Hitman remixes if you can have a spare few hours!), the vinyl scene at least had a bit more restraint. Yet somehow Mutationz seems to have gone through about 10 remixes before the new millienieum was in more than its infancy. Ironically despite Kemals 'Munitionz III' remix coming only one release after another 4 remixes (including one from Konflict), its probably the best track on this LP. Personally I dont think thats saying much (no idea what JonnyMassacre has been smoking to think this at any time could be considered best album of all time), but hey each to their own.
Glei
Didn't realise it at the time, but listening to this again ... 11 years later ... I think this is one of the best D&B albums of all time. Every producer is taking the piss; well on top of their game. "Cannibal Run" is weird at first but once you get it you can't live without it ... such a smart evolution of tech-step. "Mutationz" remix sounds like Kemal at his best. "Uprock" is like nothing I've ever heard before - so simple, yet bearing the hallmarks of pros who're enjoying themselves. Special mentions also go to the excellent "Warp 2" and the harshest tramen I ever heard on "Syntax" ... and how could I forget "The Encrypter" by Kemal? This track is so disturbing one can only wonder what was going on in that man's head at the time, and, moreover, how the fuck he managed to funnel it into a computer so we could come along on his journey. It's delicate but disgusting, and extremely complex. Then there's "Black Monday" ... I could go on and on ...
Glei
Didn't realise it at the time, but listening to this again ... 11 years later ... I think this is one of the best D&B albums of all time. Every producer is taking the piss; well on top of their game. "Cannibal Run" is weird at first but once you get it you can't live without it ... such a smart evolution of tech-step. "Mutationz" remix sounds like Kemal at his best. "Uprock" is like nothing I've ever heard before - so simple, yet bearing the hallmarks of pros who're enjoying themselves. Special mentions also go to the excellent "Warp 2" and the harshest tramen I ever heard on "Syntax" ... and how could I forget "The Encrypter" by Kemal? This track is so disturbing one can only wonder what was going on in that man's head at the time, and, moreover, how the fuck he managed to funnel it into a computer so we could come along on his journey. It's delicate but disgusting, and extremely complex. Then there's "Black Monday" ... I could go on and on ...