» » Various - Victims Of The Mixing Desk

Various - Victims Of The Mixing Desk FLAC album

Various - Victims Of The Mixing Desk FLAC album

Tracklist Hide Credits

A1 –Debra Gomez With Metalhouse The Truth Comes Out
A2 –Melx Insistez
Drums, Keyboards, Percussion [Additional Electronic Pecussive Noises] – Christoph FringeliFeaturing [Devices] – Markus KneubühlerProgrammed By [Sound], Vocals, Drums [Additional] – Alex Buess
A3 –Fluid Mask Not Me
Bass – Tobi MadörinBass [Additional] – Alex BuessDrums – RoleDrums [I.a] – Christian BernhardVocals, Arranged By – Christoph Fringeli
A4 –Frances Zorn Murderer
Bass – Christoph BüchelDrums – Pia VonarburgScratches, Arranged By [Bass Derangements] – Christoph FringeliVocals, Guitar – Kapt. Kitekat
B1 –Ix-Ex-Splue Intro
Bass, Guitar – KreieDrums – Lori HersbergerGuitar – Remo HobiSaxophone – JudoVocals – Baba-Lu
B2 –Electric Noise Twist Time To Squeeze Out The Welchers
Drums – Alex BuessPercussion [Electronic] – Markus KneubühlerVocals, Keyboards, Guitars – Christoph Fringeli
B3 –Sky Bird Going Down Again
Drums [Added] – Christoph FringeliPerformer – Sky Bird
B4 –Mousing Crew Poodle Screaming After A Long Hard Business Day
Drums, Other [Environment] – Fred K. JägiGuitar, Bass – Longo HaiVocals – Switch Gender
B5 –Ix-Ex-Splue Spicy Connection
Bass, Guitar – KreieDrums – Lori HersbergerGuitar – Remo HobiSaxophone – JudoVocals – Baba-Lu

Credits

  • Producer – Alex Buess, Christoph Fringeli
  • Remix – Alex Buess

Notes

A collection of hardkore dancemusic radically remixed from previous releases by Alex Buess

A1 From the compilation tape "3'"
A2 remixed from the 12" EP "The Metalhouse Masterbeats"
A3 Remixed from the 12" "1 1/2"
A4 remixed from the cassette "Wider Das Wütten Des Hims"

B2 remixed from the LP "Ent"
B3 remixed from the LP "Sky Bird"
B4 remixed from the 12" EP "Death By Radio"
B5 remixed from the LP "Ix-Ex-Splue"


Various - Victims Of The Mixing Desk FLAC album

Musician performer: Various

Title: Victims Of The Mixing Desk

Date of release: 1989

Style: Breakbeat, EBM, Noise, Electro, Industrial

Genre: Electronic / Rock

Size FLAC: 1100 mb

Rating: 4.2 / 5

Votes: 255

Other Formats: AIFF AHX MP4 MOD WMA AU ASF

Various Breakbeat EBM Noise Electro Industrial 1989

Related to Various - Victims Of The Mixing Desk FLAC Albums

MisterQweene
The first side opens with a sort of Country & Western Jingle before "Insistez" by MELX bursts in through the speakers, a minimal, spiky yet hard-edged thing which seems almost based on FRANKIE GOES TO HOLLYWOOD's "Relax", then splintered off at an angle. It seems to have a density & power threatening to explode any second, yet has a meandering, loose compositional structure. "Not Me" by FLUID MASK comes next, having the same potential to blast white fire. The mix is clever, sounding smoothly gated with plenty of gaps, yet full & well-filled-in. It owes much to Funk, but has mutated into something cold & stark, a bright harshness. It concludes with an odd changed piece. "Murderer" by FRANCIS ZORN is next, a sort of mutated Reggae piece which incorporates scratching, a heavily accented soft Rap over the bright 'n' shiny mix. Side two opens with "Time To Squeeze Out The Welchers" by ELECTRIC NOISE TWIST, a track which appears in many forms on various VISION recordings, this version probably being the most stark & skeletal, using various found sounds, added voices all mixed into a bright, shiny yet sharply spiked minimal mix. Drums are favoured here, with everything else adding scalpel-like knives of treble. It concludes by scrambling into another version of ZORN's "Murderer", again a fuzzy white mix. Next up comes "Going Down Again" by SKY BIRD reminding me a little of early SWELL MAPS but without the humour & with a more shiny, professional gleam to it. A noise, akin to a spinning wheel on a lathe carries the sound through while gated drums, almost amorphous-mixed guitar & layers of voice combine. "Poodle Screaming After A Long Hard Business Day" by MOUSING CREW has a dark Rock/Dance sound, akin to a more benign early STRANGLERS playing a more dance-orientated sound. IX-EX-SPLUE close this odd remix album with "Spicy Connection", opening on sustained feedback, settling into a pulsing driving beat track with robot-cold voices. A dehumanised, soul-less constant Industrial dance piece with the same engulfing sound as has been on all of the other mixes. There are slim fragments of other tracks, uncredited, appearing between each full piece, a chaotic stop-start approach which works. The mixes here are deliberately harsh, but it might be a good starting point for those wishing to discover the sound of VISION!Originally reviewed for Soft Watch.
MisterQweene
The first side opens with a sort of Country & Western Jingle before "Insistez" by MELX bursts in through the speakers, a minimal, spiky yet hard-edged thing which seems almost based on FRANKIE GOES TO HOLLYWOOD's "Relax", then splintered off at an angle. It seems to have a density & power threatening to explode any second, yet has a meandering, loose compositional structure. "Not Me" by FLUID MASK comes next, having the same potential to blast white fire. The mix is clever, sounding smoothly gated with plenty of gaps, yet full & well-filled-in. It owes much to Funk, but has mutated into something cold & stark, a bright harshness. It concludes with an odd changed piece. "Murderer" by FRANCIS ZORN is next, a sort of mutated Reggae piece which incorporates scratching, a heavily accented soft Rap over the bright 'n' shiny mix. Side two opens with "Time To Squeeze Out The Welchers" by ELECTRIC NOISE TWIST, a track which appears in many forms on various VISION recordings, this version probably being the most stark & skeletal, using various found sounds, added voices all mixed into a bright, shiny yet sharply spiked minimal mix. Drums are favoured here, with everything else adding scalpel-like knives of treble. It concludes by scrambling into another version of ZORN's "Murderer", again a fuzzy white mix. Next up comes "Going Down Again" by SKY BIRD reminding me a little of early SWELL MAPS but without the humour & with a more shiny, professional gleam to it. A noise, akin to a spinning wheel on a lathe carries the sound through while gated drums, almost amorphous-mixed guitar & layers of voice combine. "Poodle Screaming After A Long Hard Business Day" by MOUSING CREW has a dark Rock/Dance sound, akin to a more benign early STRANGLERS playing a more dance-orientated sound. IX-EX-SPLUE close this odd remix album with "Spicy Connection", opening on sustained feedback, settling into a pulsing driving beat track with robot-cold voices. A dehumanised, soul-less constant Industrial dance piece with the same engulfing sound as has been on all of the other mixes. There are slim fragments of other tracks, uncredited, appearing between each full piece, a chaotic stop-start approach which works. The mixes here are deliberately harsh, but it might be a good starting point for those wishing to discover the sound of VISION!Originally reviewed for Soft Watch.