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Dimmu Borgir - Abrahadabra FLAC album

Dimmu Borgir - Abrahadabra FLAC album

Tracklist Hide Credits

1 Xibir 2:50
2 Born Treacherous 5:02
3 Gateways
Lead Guitar [Guest Leads] – Andy SneapVocals [Guest] – Agnete Kjølsrud
 5:10
4 Chess With The Abyss 4:08
5 Dimmu Borgir 5:35
6 Ritualist 5:13
7 The Demiurge Molecule 5:29
8 A Jewel Traced Through Coal 5:16
9 Renewal
Lead Guitar [Guest Leads] – Andy Sneap
 4:11
10 Endings And Continuations
Slide Guitar – Ricky BlackVocals [Guest] – Agnete Kjølsrud, Kristoffer Rygg
 6:00
Video Gateways 5:04

Companies, etc.

  • Distributed By – Nuclear Blast GmbH
  • Manufactured By – Nuclear Blast GmbH
  • Pressed By – Technicolor
  • Phonographic Copyright (p) – Nuclear Blast
  • Copyright (c) – Nuclear Blast
  • Recorded At – Dug Out Studio
  • Recorded At – Livingroom Studios
  • Recorded At – Pimp Plaza Recordings
  • Recorded At – NRK Studios
  • Mastered At – Backstage Studios

Credits

  • Arranged By [Choir & Orchestra] – Gaute Storaas
  • Bass – Hans Petter Bang, Magnus Bernt Soederberg
  • Bass Guitar, Voice [Additional] – Snowy Shaw
  • Bassoon – Embrik Snerte, Ingrid Åhlander
  • Booking [America: for The Agency Group] – Tim Borror
  • Booking [Europe, Australia, Japan: for The Agency Group] – Paul Ryan
  • Cello – Audun Sandvik, Marit Klovning*, Merete Olsen Carr, Morten Hannisdal
  • Choir – Schola Cantorum Choir*
  • Choir [Schola Cantorum Choir] – Anna Blechingberg, Aste Jensen Sjøvaag, Astrid Sandsør, Barbro Berg, Birgit Maakestad Enghaug, Christian Pollock Fjellstad, Eivind Støylen, Erik Hedmo, Guro Schjelderup, Hakon Andersen , Hakon Skyberg, Hauk J. Røsten, Hilde Stenseng, Ida Tingstein*, Inger Helseth, Ingrid Stige, Ingvild Farestveit Hov, Karen Austad Christensen, Kjersti Almenningen, Ludvik Kjaernes, Magnus Dorholt Kjeldal, Magnus Tveten, Marlene Wilhelmine Jensen, Martin Røsok, Mathilde Salmi Marjavara, Ole Albrekt Nedrelid, Per Christian Rolin, Ragnhild E. Bye Luetken, Robin J. Guttulsrød, Silje Indrebø, Sindre Bjerkestrand, Sissel Anette Myhre, Thomas Ringen, Thomas Tinglum, Tina Dahl, Tord Kalvenes, Vilde Groth Pettersen, Øyvind Blikstad
  • Chorus Master [Choir Mistress] – Tone Bianca Dahl
  • Clarinet – Bjørn Nyman, Hilde Mentzoni, Stine Lise Svenning
  • Concertmaster – Atle Sponberg
  • Conductor [Conducted By] – Rune Halvorsen
  • Contrabass – Marius K. Flatby*
  • Cover, Artwork [Album-artwork], Design [Packaging-development], Photography By [Band-photos] – Joachim Luetke
  • Design [Clothing Designed And Constructed By] – Giuliana Mayo, Tod Waters
  • Design [Dimmu Masks And Armor Designed By] – Giuliana*, Tod*, Tyson Tabbert
  • Drums – Daray
  • Engineer [Drums & Vocals Recording Engineered By] – Daniel Bergstrand
  • Engineer [Guitars & Bass Recording Engineered By] – Russ Russell
  • Engineer [Keys & Additional Tracking Engineered By] – Shagrath
  • Engineer [Sound Engineering] – Daniel Bergstrand
  • English Horn – Ingrid Uddu
  • Flute – Tom Ottar Andreassen, Trond Magne Brekka
  • Guitar [Guitars] – Silenoz*
  • Harp – Sidsel Walstad
  • Horn – Eyvind Andreassen, Hildegun Flatabø*, Julius Pranevicius, Trude Eick
  • Keyboards [Keys] – Gerlioz
  • Lead Guitar [Lead Guitars] – Galder
  • Lyrics By – Silenoz*
  • Management [for Direct-Management] – Yvette Uhlmann
  • Mastered By – Andy Sneap, Dimmu Borgir, Russ Russell
  • Mixed By – Andy Sneap, Dimmu Borgir
  • Music By [All], Arranged By [All Arrangements] – Silenoz*, Galder, Shagrath
  • Oboe – Trygve Aarvik
  • Orchestra – Kringkastingsorkestret
  • Other [Driver] – Leif Munkelien
  • Other [Masks And Armour Constructed By] – Tyson Tabbert
  • Percussion – Bjørn Rabben, Joakim Nordin*
  • Photography By [Single Shot Photos By, Shagrath] – Marcelo Vasco, Tove Asum Forwald
  • Photography By [Single Shot Photos By, Silenoz & Galder] – Kjell Ivar Lund
  • Producer [Produced By] – Dimmu Borgir
  • Technician [Drum Technician] – Urban Naesvall
  • Technician [Guitar Technician] – Petter Braar
  • Timpani – Birger Mistreggen*
  • Trombone – Petter Winroth, Sverre Riise, Øivind Westby
  • Trumpet – Kare Magnar Hagen*, Odd Nilsen, Tom Skjellum
  • Tuba [Tuba-cimbasso] – Thomas Røisland
  • Viola – Nora Taksdal
  • Viola [Bratsj] – Gunhild Hindar, Jon Wien Sønstebø*, Matilda Brunstrøm*, Patrycja Woloch
  • Violin [1] – Agnes Hoffart, Annar Follesø, Atle Sponberg, Frode Larsen, Maren Elle, Mette Elisabeth Steen*, Stine Rem Aarønes*, Yi Yang
  • Violin [2] – Andrea Manger, Christina Dimbodius, Elisabeth Lie, Guro Hilmen, Henrik Hannisdal, Kristin Karlsson, Tone Bjørnsen, Willy Aase
  • Vocals [Voices], Keyboards [Keys], Effects – Shagrath

Notes

Comes in generic clear jewel case.

Drums & vocals recorded in Dugout Studios, Uppsala, Sweden.
Guitars & bass recorded in Livingroom Studios, Oslo, Norway.
Keys & additional tracking recorded at Pimp Plaza Recordings, Oslo, Norway.
Orchestra & choirs done at the NRK Studios, Oslo, Norway.

Cover, album-artwork, packaging-development & band-photos done for Image Eye-Luetke Prod. Vienna.

Track Video is in Flash Video format.

℗+© 2010

Total running time: 48:54

Copies sold in Norway may have a sticker on the front, with the following text in all caps:
"Vinn stor premiepakke fra Dimmu Borgir
Klikk deg inn på:
www.warnermusic.no/dimmu/kbe"

Copies may also include a 4-page insert of official Dimmu Borgir merchandise.

Barcode and Other Identifiers

  • Barcode (String): 727361234829
  • Barcode (Text): 7 27361 23482 9
  • Label Code: LC 07027
  • Matrix / Runout (Variant 1): NB2348-2DLT 08 OMM Technicolor
  • Matrix / Runout (Variant 2): NB2348-2DLT 03 OMM Technicolor
  • Matrix / Runout (Variant 3): NB2348-2DLT 04 OMM Technicolor
  • Matrix / Runout (Variant 4): NB2348-2DLT 03 OMM Technicolor
  • Mastering SID Code (All variants): IFPI LR77
  • Mould SID Code (Variant 1): IFPI UGAB
  • Mould SID Code (Variant 2): IFPI UGAP
  • Mould SID Code (Variant 3): IFPI UGAB
  • Mould SID Code (Variant 4): IFPI UGAB
  • Rights Society: GEMA

Other versions

Category Artist Title (Format) Label Category Country Year
none Dimmu Borgir Abrahadabra ‎(12xFile, AAC, 256 + File, MPEG-4 Video) Nuclear Blast none 2010
EMCD 0140 Dimmu Borgir Abrahadabra ‎(CD, Album, Enh) Evolution Music EMCD 0140 South Korea 2010
IROND CD 10-1731 Dimmu Borgir Abrahadabra ‎(CD, Album, Enh, Dig) Irond IROND CD 10-1731 Russia 2010
NB 2348-2, 2348-2 Dimmu Borgir Abrahadabra ‎(Box, Dlx, Ltd, Num + CD, Album, Dlx, Enh, Dig) Nuclear Blast, Nuclear Blast NB 2348-2, 2348-2 US 2010
NB 2348-1, 27361 23481 Dimmu Borgir Abrahadabra ‎(2xLP, Album, Ltd, RP, Cle) Nuclear Blast, Nuclear Blast NB 2348-1, 27361 23481 Germany 2016


Dimmu Borgir - Abrahadabra FLAC album

Musician performer: Dimmu Borgir

Title: Abrahadabra

Date of release: 2010

Style: Symphonic Rock, Black Metal, Heavy Metal

Genre: Rock

Size FLAC: 1772 mb

Rating: 4.4 / 5

Votes: 130

Other Formats: VOX ASF VQF APE MP1 FLAC AA

Dimmu Borgir Symphonic Rock Black Metal Heavy Metal 2010

Related to Dimmu Borgir - Abrahadabra FLAC Albums

Vathennece
I have to admit, I lost interest in Dimmu Borgir after Darkness Enthroned Triumphant, not because they were doing anything particularly wrong, but because other acts like Arcturus, Emperor, Opeth, etc, etc, were doing so many more things right. I got this partly out of curiosity, partly because it has a smart title. I was skeptical somewhat about the live orchestrations, as I have been promised this hybrid in the past by other bands, and always felt that the merging of live classical orchestrations (as opposed to the more traditional nordic metal approach of having the classical elements handled by keyboards) and epic metal to be more epic metal with a light sprinkling of classical. Don't get me wrong, I actually am not even close to a classical buff, but I have always felt that under the right guidance, these two genres could make some beautifully brutal music together. Low and behold, I really did not expect that it would be Dimmu Borgir who could pull it off so well. Well, I stand corrected. Perhaps the aspect that stands out the most are just how well integrated the orchestrations are with the metal. You really get the feeling that they were developed in collaboration and concert, rather than one being tacked on at the end of the other. The absence of ICS Vortex is mitigated by the addition of a choir, which actually do a really amazing job of delivering any clean vocals, wherever they are needed. I personally think by the end of the album, some of the ideas get a little repetitive, mainly because without the orchestrations, this still sounds very much like the same Dimmu Borgir that I listened to 15 years ago, and other than this new element, the metal itself sounds mostly like business as usual. However, I do feel that this is something that is worth checking out.
Vathennece
I have to admit, I lost interest in Dimmu Borgir after Darkness Enthroned Triumphant, not because they were doing anything particularly wrong, but because other acts like Arcturus, Emperor, Opeth, etc, etc, were doing so many more things right. I got this partly out of curiosity, partly because it has a smart title. I was skeptical somewhat about the live orchestrations, as I have been promised this hybrid in the past by other bands, and always felt that the merging of live classical orchestrations (as opposed to the more traditional nordic metal approach of having the classical elements handled by keyboards) and epic metal to be more epic metal with a light sprinkling of classical. Don't get me wrong, I actually am not even close to a classical buff, but I have always felt that under the right guidance, these two genres could make some beautifully brutal music together. Low and behold, I really did not expect that it would be Dimmu Borgir who could pull it off so well. Well, I stand corrected. Perhaps the aspect that stands out the most are just how well integrated the orchestrations are with the metal. You really get the feeling that they were developed in collaboration and concert, rather than one being tacked on at the end of the other. The absence of ICS Vortex is mitigated by the addition of a choir, which actually do a really amazing job of delivering any clean vocals, wherever they are needed. I personally think by the end of the album, some of the ideas get a little repetitive, mainly because without the orchestrations, this still sounds very much like the same Dimmu Borgir that I listened to 15 years ago, and other than this new element, the metal itself sounds mostly like business as usual. However, I do feel that this is something that is worth checking out.