» » Sarah Cracknell - Lipslide
Sarah Cracknell - Lipslide FLAC album

Tracklist

Ready Or Not 4:42
Desert Baby 4:24
Coastal Town 4:01
Home 4:18
Anymore 3:47
How Far 4:49
Goldie 5:02
Taxi 3:31
Taking Off For France 4:00
If You Leave Me 4:04
Penthouse Girl, Basement Boy 4:01
Can't Stop Now 4:55

Versions

Category Artist Title (Format) Label Category Country Year
GUTCD2, GutCD2 Sarah Cracknell Lipslide ‎(CD, Album) Honey Lane, Honey Lane, Gut Records, Gut Records GUTCD2, GutCD2 UK 1997
CDSARAH 1, 7243 8 44308 2 5 Sarah Cracknell Lipslide ‎(CD, Album) Virgin, Virgin, Gut Records, Honey Lane CDSARAH 1, 7243 8 44308 2 5 Scandinavia 1997
TOCP-50257 Sarah Cracknell Lipslide ‎(CD, Album) InsideOut TOCP-50257 Japan 1997
GUTCD2, GutCD2 Sarah Cracknell Lipslide ‎(CD, Album) Honey Lane, Honey Lane, Gut Records, Gut Records GUTCD2, GutCD2 UK 1997
GUTMC2 Sarah Cracknell Lipslide ‎(Cass, Album) Honey Lane, Honey Lane, Gut Records, Gut Records GUTMC2 UK 1997
INS507-2 Sarah Cracknell Lipslide ‎(CD, Album, Enh) Instinct Records, Gut Records INS507-2 US 2000
006025 27949758 Sarah Cracknell Lipslide ‎(26xFile, MP3, Album, Dlx, RE, RM, 320) UMC 006025 27949758 UK 2012
HVNLP92CDDE Sarah Cracknell Lipslide ‎(CD, Album, RE, RM + CD, RM + Dlx) Heavenly, Universal UMC HVNLP92CDDE UK & Europe 2012
none Sarah Cracknell Lipslide ‎(CDr, Album + CDr + Promo) Heavenly, Universal UMC none UK 2012


Sarah Cracknell - Lipslide FLAC album

Musician performer: Sarah Cracknell

Title: Lipslide

Country: UK

Date of release: 1997

Style: Synth-pop, Dance-pop, Indie Pop

Genre: Electronic / Pop

Size FLAC: 1595 mb

Rating: 4.5 / 5

Votes: 944

Other Formats: TTA AAC AC3 AHX AIFF MMF MP3

Related to Sarah Cracknell - Lipslide FLAC Albums

Uttegirazu
The track "Departure Lounge" on this Deluxe Edition seems to be a different song from a track with the same title of "Departure Lounge" that was featured on a Melody Maker free cover-mounted cassette in 1997. Can anybody shed any light on this anomaly? And which songs should have what correct title?
Uttegirazu
The track "Departure Lounge" on this Deluxe Edition seems to be a different song from a track with the same title of "Departure Lounge" that was featured on a Melody Maker free cover-mounted cassette in 1997. Can anybody shed any light on this anomaly? And which songs should have what correct title?
Risinal
A rather generous collection, though a bit annoying that several tracks from the original releases of the albums (US, UK and Japan versions) are missing. I get that they may not have fit a "flow" but for completeness sake, this is pretty much all we're going to get for this period of her career and it's a missed opportunity. But it wouldn't quite be Saint Etienne without leaving something to the collectors, would it?
Risinal
A rather generous collection, though a bit annoying that several tracks from the original releases of the albums (US, UK and Japan versions) are missing. I get that they may not have fit a "flow" but for completeness sake, this is pretty much all we're going to get for this period of her career and it's a missed opportunity. But it wouldn't quite be Saint Etienne without leaving something to the collectors, would it?
Glei
Sarah Cracknell, the frontwoman for Saint Etienne, step out on her own with Lipslide, a wonderfully poppy album. It still sounds vaguely like Saint Etienne, but that may simply be because her distinctive voice is so evocative of that band. “Anymore” is a delightful little gem, and you have to wonder why lesser tracks by mediocre artists regularly make it onto the radio waves. “Home” and “Goldie” both achieve a quiet grace, while “Coastal Town” and “Aussie Soap Girl” benefit from some delicate guitar strumming. Cracknell takes on the Saint Etienne habit of naming songs seemingly at random, but when they’re this good, who cares?
Glei
Sarah Cracknell, the frontwoman for Saint Etienne, step out on her own with Lipslide, a wonderfully poppy album. It still sounds vaguely like Saint Etienne, but that may simply be because her distinctive voice is so evocative of that band. “Anymore” is a delightful little gem, and you have to wonder why lesser tracks by mediocre artists regularly make it onto the radio waves. “Home” and “Goldie” both achieve a quiet grace, while “Coastal Town” and “Aussie Soap Girl” benefit from some delicate guitar strumming. Cracknell takes on the Saint Etienne habit of naming songs seemingly at random, but when they’re this good, who cares?