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Chuck & Mary Perrin - The Chuck And Mary Perrin Album FLAC album

Tracklist Hide Credits

A1 Commencement
Written-By – Ince*, Perrin*
3:27
A2 Violets Of Dawn
Written-By – Anderson*
2:56
A3 Mornings
Written-By – Perrin*
3:23
A4 You Knew All Along
Written-By – Perrin*
3:09
A5 Don't Know Why I Love You Like I Do
Arranged By, Adapted By – Chuck And Mary Perrin*
1:55
B1 Song For Canada
Written-By – Tyson*
4:10
B2 Babe Can You See
Written-By – Perrin*, Connors*
2:30
B3 Circus Of Sour
Written-By – Leitch*
2:40
B4 Younger Generation
Written-By – Sebastian*
2:45
B5 To A Better Life
Written-By – Ince*, Perrin*
2:30

Companies, etc.

  • Recorded At – Golden Voice Studios

Credits

  • Director Of Photography, Design – Peter McGrath
  • Electric Bass, Guitar [Occasional Guitar] – Chris White
  • Engineer – Jerry Milam
  • Photography By [Back Photos] – Bill Banks
  • Photography By [Front And Inside Photos] – Gene Conley

Notes

Gatefold cover.
Pressed 500 only.
Recorded live at Golden Voice Sound Studios South Pekin, Illinois.

Other versions

Category Artist Title (Format) Label Category Country Year
VIBE BANQUET 6 Chuck & Mary Perrin The Chuck And Mary Perrin Album ‎(CD, Album, RE) Beatball VIBE BANQUET 6 South Korea 2011
MAPA0006 Chuck & Mary Perrin The Chuck And Mary Perrin Album ‎(LP, Album, Ltd, RE, RM) Mapache Records MAPA0006 Spain 2015


Chuck & Mary Perrin - The Chuck And Mary Perrin Album FLAC album

Musician performer: Chuck & Mary Perrin

Title: The Chuck And Mary Perrin Album

Country: South Korea

Date of release: 1968

Style: Folk Rock, Acoustic

Genre: Rock / Folk, World, & Country

Size FLAC: 1896 mb

Rating: 4.5 / 5

Votes: 247

Other Formats: FLAC MP1 RA MIDI AIFF ADX XM

Related to Chuck & Mary Perrin - The Chuck And Mary Perrin Album FLAC Albums

salivan
Mary & I had made our trip to Nashville to record a couple of songs @ the RCA Studios. We’d also recorded some acetate demos when the Shaggs recorded in Elkhart, Indiana. But we finally decided to take the proverbial bull by its horns & record & release an album on our own. This wasn’t as commonplace a task as it is today. Pressing plants were not set up to deal with small companies & small runs. On Saturday December 14, 1968 we spent about 6 hours at Jerry Milam‘s Golden Voice Sound Studio – a cement block structure located in the middle of a corn field in South Pekin, Illinois – recording our first album, live & direct to tape. Jerry was a well-respected audio expert, & had connections with various pressing facilities. We enlisted the help of a young musician friend from Websters, Chris White, who played bass & occasional guitar. We taught Chris the bass parts & then just recorded each song in a take or two. I designed the foldout album cover & sent it down to RCA’s plant in So. Illinois to be pressed. Front & inside photos were taken one perfect cloudy day in Detweiler Park, Peoria Illinois by Gene Conley. Bill Banks took the effervescent back photo.
salivan
Mary & I had made our trip to Nashville to record a couple of songs @ the RCA Studios. We’d also recorded some acetate demos when the Shaggs recorded in Elkhart, Indiana. But we finally decided to take the proverbial bull by its horns & record & release an album on our own. This wasn’t as commonplace a task as it is today. Pressing plants were not set up to deal with small companies & small runs. On Saturday December 14, 1968 we spent about 6 hours at Jerry Milam‘s Golden Voice Sound Studio – a cement block structure located in the middle of a corn field in South Pekin, Illinois – recording our first album, live & direct to tape. Jerry was a well-respected audio expert, & had connections with various pressing facilities. We enlisted the help of a young musician friend from Websters, Chris White, who played bass & occasional guitar. We taught Chris the bass parts & then just recorded each song in a take or two. I designed the foldout album cover & sent it down to RCA’s plant in So. Illinois to be pressed. Front & inside photos were taken one perfect cloudy day in Detweiler Park, Peoria Illinois by Gene Conley. Bill Banks took the effervescent back photo.