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Brandon Spivey - Past.Present.Future FLAC album

Tracklist

A1 Phase Distortion 2:16
A2 Acid Music 4:30
A3 Audio Deviant 3:38
A4 Trans Pennine 3:36
B1 Instinctual 2:22
B2 No Soft Synths / Strictly Hardware (For Kevin 'Electro' Wardman) 2:15
B3 Coma Music (For Ariel Sharon) 3:06
B4 Rough Cut Acid 2:54
B5 Post Industrial 4:15

Notes

Vocal sample on A2 comes from Victor "Our Man In Mexico."
Comes with a A2 infosheet.
Written and recorded in the Creuse, Central France.
These recordings are dedicated to Ian, Anthony & Talbot Vontrap and Richie Anderson.


Brandon Spivey - Past.Present.Future FLAC album

Musician performer: Brandon Spivey

Title: Past.Present.Future

Date of release: 2011

Style: Hardcore, Techno, Electro, Acid

Genre: Electronic

Size FLAC: 1954 mb

Rating: 4.1 / 5

Votes: 533

Other Formats: MIDI TTA AU AA AUD AC3 DTS

Related to Brandon Spivey - Past.Present.Future FLAC Albums

Seevinev
Stunning acid release - agree tracks are short but very diverse in styles and just enough to compensate the required dose !ADHD :)
Seevinev
Stunning acid release - agree tracks are short but very diverse in styles and just enough to compensate the required dose !ADHD :)
Gela
Finally located this in the collection after it being MIA for two years. Meant to write a review ages ago.Varied Acid styles in all of the expected Spivey varieties. Props for putting this together in 2011, especially stateside.This would be 5 stars all day long however every track is entirely too short. Managing four and five tracks per side and averaging roughly three minutes per track, you are finding yourself just getting into it and then it is over; sometimes abruptly. Overall, I was left wanting more and I suppose that is a good thing; Midwest hard acid style is (was) still alive and kickin
Gela
Finally located this in the collection after it being MIA for two years. Meant to write a review ages ago.Varied Acid styles in all of the expected Spivey varieties. Props for putting this together in 2011, especially stateside.This would be 5 stars all day long however every track is entirely too short. Managing four and five tracks per side and averaging roughly three minutes per track, you are finding yourself just getting into it and then it is over; sometimes abruptly. Overall, I was left wanting more and I suppose that is a good thing; Midwest hard acid style is (was) still alive and kickin