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The Fantastic Pikes - The Synthesizer Sound Machine 2 FLAC album

Tracklist Hide Credits

A1 Ooh Baby
Written-By – O'Sullivan*
4:25
A2 Angie
Written-By – Jagger*
4:02
A3 Capriccio Italien
Arranged By – R. Hecht*Written-By – Tschaikowsky*
2:25
A4 High Noon
Written-By – Tiomkin*
3:45
A5 Apache
Written-By – Lordan*
2:45
A6 America
Written-By – Bernstein*
3:32
B1 48 Crash
Written-By – Chinn*
3:19
B2 Whisky In The Jar
Arranged By – J. Petersen*, Hecht-Fendt*Written-By – Trad.*
3:48
B3 Spiel Mir Das Lied Vom Tod (Once Upon A Time In The West)
Written-By – Morricone*
3:08
B4 If I Were A Rich Man
Written-By – Bock*
3:32
B5 Raindrops Keep Falling On My Head
Written-By – Bacharach*
2:38
B6 Türkisher Marsch
Arranged By – R. Hecht*Written-By – W. A. Mozart*
4:04

Companies, etc.

  • Distributed By – Radio Corporation Pty. Ltd.
  • Manufactured By – Astor Records Pty. Ltd.

Credits

  • Musician [Uncredited] – Addy Rietenbach, Dieter Horns, Peter Hecht, Peter Hesslein

Notes

Manufactured by: Astor Records

Other versions

Category Artist Title (Format) Label Category Country Year
9063 The Fantastic Pikes The Synthesizer Sound Machine 2 ‎(LP, Album) Sonic 9063 Germany 1973
TT 5246 The Fantastic Pikes The Synthesizer Sound Machine 2 ‎(LP, Album) Sonic TT 5246 Israel 1973

The Fantastic Pikes - The Synthesizer Sound Machine 2 FLAC album

Musician performer: The Fantastic Pikes

Title: The Synthesizer Sound Machine 2

Country: Germany

Date of release: 1974

Style: Instrumental

Genre: Electronic / Rock / Pop

Size FLAC: 1107 mb

Rating: 4.1 / 5

Votes: 545

Other Formats: AAC MP2 VOC DMF MOD AC3 ADX

Related to The Fantastic Pikes - The Synthesizer Sound Machine 2 FLAC Albums

Otiel
This LP was released heading into the tail end of the Moog LP fad. Moog LP's from 1973 onwards tended to involve a band often with only a poorly selected single Moog melody line over the top. This LP is better than that. While it does involve a backing band, and imho too much lead guitar, the choices of Moog sound usually work well, and the arrangement is often more complex than a single Moog line. There are some strange tempo changes, which is both a plus and a minus. Often these seem out of place, but experimentation is good and variety is the spice of life. The sound quality of the recording isn't exceptional, but it is acceptable.
Otiel
This LP was released heading into the tail end of the Moog LP fad. Moog LP's from 1973 onwards tended to involve a band often with only a poorly selected single Moog melody line over the top. This LP is better than that. While it does involve a backing band, and imho too much lead guitar, the choices of Moog sound usually work well, and the arrangement is often more complex than a single Moog line. There are some strange tempo changes, which is both a plus and a minus. Often these seem out of place, but experimentation is good and variety is the spice of life. The sound quality of the recording isn't exceptional, but it is acceptable.